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Synopsis
So-yeon, a 29-year-old woman studying in Paris, spends her summer vacation in Seoul which she hasn’t visited for a long time. The reason she visits Seoul is to meet a man named Min-hwan, a divorced diplomat whom she went out with for more than a year while he was working in Paris. When they met in Paris, she grew fond of him. But she felt that his tendency to meet her in secret and his reluctance to introduce her to others stemmed from Min-hwan’s inability to forget his ex-wife. This friction caused them to separate, reconcile and separate again and again. In Seoul, So-yeon wants to confirm his love for her and her future dream with him, but things don’t turn out the way she wants and summer passes by coldly. She decides not to meet Min-hwan again and tries to forget him by meeting another man who adores her. Fall arrives and the time to return to Paris has come.
KOFIC Support Programs
2005 HD Broadcast Film Production Support Program
2006 HD Broadcast Film Production Support Program
International Film Festivals
2006 Tokyo International Film Festival , Winds of Asia: New Panorama
Source http://www.koreanfilm.or.kr |
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The 2nd annual France Korean Film Festival (Festival Franco-Coréen du Film) will take place Dec 12 -18 in Paris. Presented in partnership with Association 1886, an organization of young students and filmmakers from France and Korea, the goal of the festival is to promote fresh and promising creative talent in Korea.
The event will screen ten features (five documentaries and five fiction works) from young directors along with ten short films. Included in this year's program are the award-winning festival favorite "Family Ties" ("The Birth of a Family") by KIM Tae-yong, Pusan premiere "Before The Summer Passes Away" by SEONG Ji-hye in her feature debut, YOON Jong-bin's "The Unforgiven" which screened in Cannes Un Certain Regard, NOH Dong-seok's Boys of Tomorrow.
Among documentaries in the program are the award-winning "Our School" by KIM Myeong-joon, "Taxi Blues" by CHOI-HA dong-ha, "Dear Pyongyang" by YANG Yeong-hee, and "Coreen 2495" by HA Jun-soo. Among short films are aw...| More |
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Now in its 8th year, the Seoul International Film Festival, known as SENEF (the acronym comes from its original title, the Seoul Net and Film Festival) has evolved into Korea's most advanced cinematic event. It is also inviting some of the world's most innovative and renowned directors to its 10-day run which opens September 6th.
Japanese director Naomi Kawase, winner of the Grand Jury Prize at this year's 60th Cannes festival for The Mourning Forest, will make her first visit to Korea to present her film as the festival opener. After the screening the director will answer questions and talk with respected feminist film critic KIM Soyoung.
Other directors invited to present their films at the festival include Hollywood effects specialist Alan Chan with his own short film, Postcards from the Future, which is jointly opening the festival. Argentinean director Inés de Oliveira Cézar will attend with his feature, Foreigner, shot in the 2K HD format. Directors Pedro Aguilera (La I...| More |
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The Korean Film Council has announced the recipients of the second phase of its 2006 Marketing Support for Arthouse and Digital Films fund. The fund provides financial support to arthouse works or digital features to promote diversity on the nation's screens and to help such films compete in a marketplace with increasingly stringent commercial demands.
In the case of arthouse films, 50 million won (~$54,000) will be provided to pay for advertising and other kinds of marketing costs, including the cost of striking prints for release. In Korea's competitive distribution environment, low-budget works face a particularly difficult struggle in getting noticed by viewers, and so this fund is intended to provide assistance in this area. A total of 11 features were submitted for consideration
In the case of feature-length digital films, 25 million won (~$27,000) will be provided towards the rental of a DLP digital projector, so that such works can be screened in their original format. In...| More |
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The 11th edition of the Pusan International Film Festival drew attention for its various industry sidebars and other events, but those festival attendees who focused on the program itself declared it to be a good year for new Korean films.
Independent filmmakers in particular turned out a large number of interesting projects, which look sure to turn up at other major international festivals in the coming months. Some examples include < "No Regret" >, the feature debut of acclaimed indie director LEE SONG-Hee-il, about a male escort who becomes romantically involved with a rich man. Apart from the critical praise it earned, international rights to the film was also picked up by Fortissimo – one of the arthouse world's most famous sales companies.
< Ad-Lib Night > by director LEE Yoon-ki, about a woman who agrees to "stand in" as the daughter of a dying man, was also warmly received. After debuting with the award-winning < This Charming Girl > in 2004, LEE returned with < "Love Tal...| More |
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