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  • "Nameless Gangster" released in North America

    2012/03/28, Source,
    PREFACE "My reason for wanting to tell a story from the '80s is because I feel that the current societal climate is very similar. About 3 years ago I got a feeling that the era of my deceased father was suddenly coming back, an era in which everyone's good will is only reserved for their own survival and well being. But like my own father, I did not see these people as selfish fools, but sympathized with them. I wanted to portray these characters not as criminals who were on the wrong side of the law, but as people who tried their best to survive and thrive despite the conditions they were in. People innately follow the times they live in and those who ride it architect the next generation. The '80s in South Korea were an incredibly volatile decade in which a single person's decision could change the direction of an entire era. Following men who lived through that decade, I wanted to show that the eighties had more dramatic appeal than any other decade. I wanted to inquire whether it was the times that were changing the people, or if it was the people that were changing the times. Most of all, I hope that the audience can laugh and identify with these men who lived like kings in the face of loyalty, betrayal, and ambition".,...More
  • Kanryu Currents in Japan, Past and Present

    2012/03/11, Source,
    Tokyo-based journalist, translator and filmmaker Jason GRAY examines the ebb and flow of the Korean Wave in Japan over the past ten years, pinpointing the highs and lows. The Korean wave of popular culture in Japan, referred to as "kanryu" or "hanryu" in Japanese, has had an interesting ebb and flow over the past decade. There were earlier booms here including traditional Korean ballads ("enka") in the late 70s, the Seoul Olympics in 1988 and the South Korea-Japan co-hosted World Cup in 2002. Japanese cinema exhibitors saw their first genuine Korean smash with Kang Je-gyu's "Shiri" (2000), which earned JPY1.8 billion (US$22.1 million) - an impressive result to this day. As we'll see, KANG is unique in that he figures into pre, peak and post kanryu cinema,...More
  • Terracotta Far East Film Festival opening and closing film

    2012/02/21, Source,
    Terracotta is London's premier celebration of the film and culture of the Far East. With a stunning line-up of films hand-picked from the best of the region, encompassing diverse genres from comedy to drama to horror and everything in between, an unbeatable programme of exclusive cast and crew Q&As, intro's and masterclasses and fabulous public parties the Terracotta Far East Film Festival really does have something for everybody,...More
  • Interview with critic and Beijing Film Academy professor HAO Jian

    2012/02/20, Source,
    Film critic and Beijing Film Academy professor HAO Jian has written and talked about what he considers the little-known, real start of the Korean Wave in China. At the International Film Festival Rotterdam while serving on the Network for the Promotion of Asian Cinema (NETPAC) award jury, he spoke to Jean NOH about it and his thoughts on Korea-China cooperation. KOBIZ: You've written and talked about how you think a certain Korean film festival at the Beijing Film Academy was really what started the popularity of Korean films in China. Tell us about that festival,...More
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Shiri | Pictures

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Shiri | Reviews

 Produced by
 Kang Je-gyu (강제규)
Staff
 Cheon Se-hwan (천세환)
 Assistant director
 Baek Woon-hak (백운학)
 Assistant director
 Lee Dong-joon (이동준)
 Musician
 Jeon Yoon-soo (전윤수)
 Assistant director
 Park Kok-ji (박곡지)
 Editor
 Kim Jeong-woo (김정우)
 Script
 Kim Min-su (김민수)
 Martial arts team
 Jang Youn-Jung (장윤정)
 Costume department
Technics
120 min 
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Festival(s) & award(s)
Sales or release dates & Box Office
Release date in South Korea : 1999/02/13

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Good movie. Really threaded well the tension between North and South Korea in this movie. and the acting was good. this was a good movie.
2007-08-16 20:14:46
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