Time Between Dog and Wolf (2005) (DVD) (Korea Version) DVD Region 3
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YesAsia Editorial Description
Burdened with seemingly insurmountable debt, film director Kim (Ahn Gil Gang) breaks into a cold sweat every time the phone rings. To get away from the daily torment, he travels back to his hometown of Sokcho, a town with many war displaced victims. Though half a century has gone by since the war, reminders of pain and loss still exist in every corner of the street. There, Kim meets a woman named Young Wha (Kim Seon Jae), who is looking aimlessly for her long-lost sibling. A strange sense of hope creeps into their hearts as the two journey together in search of their past.
Technical Information
| Product Title: | Time Between Dog and Wolf (2005) (DVD) (Korea Version) Time Between Dog and Wolf (2005) (DVD) (韓國版) Time Between Dog and Wolf (2005) (DVD) (韩国版) 犬とオオカミの間の時間 (韓国版) 개와 늑대 사이의 시간 |
| Also known as: | 狗與狼的時間 狗与狼的时间 |
| Artist Name(s): | Jeon Soo Il 全秀日 全秀日 Jeon Soo Il 전수일 |
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| Release Date: | 2008-04-10 |
| Language: | Korean |
| Subtitles: | Korean, English |
| Country of Origin: | South Korea |
| Picture Format: | NTSC What is it? |
| Disc Format(s): | DVD |
| Region Code: | 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it? |
| Publisher: | Premier Entertainment |
| Other Information: | 1 DVD |
| Package Weight: | 100 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1010770775 |
Product Information
* Sound Mix : Dolby 5.1
* Director : 전수일
모든 것이 낯설고, 두려워지는 순간, 길을 나선다...
은행의 빚 독촉 전화에 다른 사람 행세를 하며 천연덕스럽게 전화를 끊는 영화감독 김에게 삶은 탈출구 없는 각박한 일상의 연속일 뿐이다. 이처럼 끝이 보이지 않는 답답한 일상으로부터 떠나기 위해 무작정 고향인 속초로 떠나는 김은 그 길 위에서 돌파구를 찾을 수 있을까. 25년만에 찾아가는 고향이기에 익숙함보다는 낯설음이 더 커진 여정 속에서 그는 고향에 대한 어렴풋한 기억들에 사로잡힌다. 그러던 중 어린 시절에 잃어버린 동생을 찾기 위해 하염없이 이곳저곳을 헤매고 다니는 영화를 우연히 만나게 되고, 어딘가에 있을 희망을 찾기 위해 두려운 여행을 계속하는 그녀에게 묘하게 끌리게 되는데...
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Professional Review of "Time Between Dog and Wolf (2005) (DVD) (Korea Version)"
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There isn't a strong tradition of socially realistic filmmaking in Korea, and even when the nation's troubled history and division into North and South is broached, it's often in the manner of a genre war movie or romantic melodrama entertainment. Jeon Soo-il's third feature film, Time Between Dog And Wolf takes a much more realistic look at the modern social divisions that are a legacy of the country's past and its current economic situation, taking the film away from the middle-class dramas of Seoul into the more rarely seen Gangwon region. It's against this powerful, stark and evocative background of high mountains and economically deprived villages that two personal dramas are played-out. Film director Kim is busy working on his latest film in Pusan, but the financial and production difficulties are making it difficult to finish. Every phone-call just seems to bring more pressures, not least a personal call that he receives from his cousin Ilgyu in Sokcho. His cousin proposes that Kim accompany him and his mother on a trip to meet the husband she lost during the Korean War, having just received news that he is alive and in China. It's the last thing that Kim needs, but with the pressures of his creditors mounting, the director takes the opportunity to get away from it all for a period, returning to the north-eastern region where he was born and a hometown he hasn't visited in twenty years. The trip with his family falls through on account of difficulties placed in their way by the North Korean authorities, but Kim, perhaps not yet ready to return to the problems back in Pusan, hooks up with a young woman, Young-hwa, he has met in the lodging where he is staying - a woman who has made the same journey to Sokcho looking for a lost sister. While the silent, uncommunicative young woman undertakes her own investigation, Kim himself tries to find significant places from his childhood, like the photography shop once owned by his father. Adjacent to the border with North Korea, Sokcho and its surrounding villages have however changed beyond all recognition in the years since the Korean War and Kim scarcely recognises the place he left behind. With two characters, neither of them particularly likeable, lost in their own concerns and silent contemplation, neither of them making a meaningful connection with the other despite their common circumstances, Time Between Dog And Wolf can be a difficult film to relate to. The slow pace and generally subdued tone suggests that the film be approached in a manner of a Hong Sang-soo film, and indeed with Kim and Young-hwa rather awkwardly undertaking a journey together and embarrassingly bumping off each other, the awkwardness only exacerbated by the amount of alcohol consumed by the man over dinner, the film often resembles On The Occasion of Remembering The Turning Gate or indeed, perhaps more significantly The Power of Kangwon Province, particularly in the film's mountainous northern location and its all-important proximity to North Korea. Set in Sokchu, in a region divided by the civil war, creating a border that would split families, leaving then without any communication or further knowledge of their existence, Time Between Dog And Wolf extends the nature of the uncomfortable social interaction between Kim and Young-hwa and their personal search for lost childhoods to a wider Korean context. Like Park Heung-shik's Railroad (2007), another more recent Korean film covering some of the same themes, the journey north undertaken by the man and woman is marked then by a coldness and falling of snow, their encounters with others in the region, as well as with each other, further characterised by open hostility, mistrust and lack of communication. The towns they travel to - almost ghost-towns, derelict and almost unrecognisable, the people when seen at all never venturing further than their gates - the sheer forbidding nature of the mountains and the gulf they place between North and South, the threatening hour of sunset when a dog becomes indistinguishable from a wolf, all reflect not just the nature of the characters, their predicament and their outlook, but that of the Korean people to some extent. That's a difficult and rather weighty subject to approach from the point of view of two not particularly open or likeable characters, who speak very little and it certainly places some challenges on the viewer in trying to relate either to them or to the wider situation through the even less pleasant characters they meet on their journey. There is however in Time Between Dog And Wolf a tremendous sense of location which is highly evocative, and not just in the obvious barbed wire of the border points or even the impressive imagery of the mountain range. The deserted, rundown towns of Gangwon, the sparse little bedrooms and bars, the narrow icy streets that prove treacherous to the visitors lost there, fallen there, and knocked over there, and even the enigmatic ending, all provide the little details that speak far more eloquently about the situation of those seeking to find some meaning in the past or direction into the future.
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Overall by Noel Megahey - DVD Times |
Customer Review of "Time Between Dog and Wolf (2005) (DVD) (Korea Version)"
See all my reviews
May 30, 2008
|
This can be a hard film to recommend due to its quite harsh themes, especially considering that it reflects some of the more recent major disasters that have effected our world. All about two people who try to adjust to their circumstances of personal loss, separated families and social change, this also mainly concerns displaced families relating to past times of the Korean war. The story first concerns a film director named Mr Kim (Gil Gang Ahn), who when in the middle of a socially related documentary movie he is making in Busan, gets one of his relatives call him by telephone and asks him to return to his hometown of Sokcho, and try to locate the whereabouts of his father. Due to this director being overstretched on budget for his film and taking out loans to complete it, (also owing his fellow film workers their wages and costs relating to the usage of film editing room) - all adds up to Mr Kim being quite reluctant to leave Busan on such short notice. Nevertheless, this being an importance of being Mr Kim's own father, he decides to travel back to his home town in Sokcho on the coastal border to North Korea. Considering that he also originally came from North Korea himself, his travel plight also becomes an emotional one. On the onset of his journey, though, Mr Kim meets a young woman named Wha Young (Seon Jae Kim), who similarly is making her own way to Sokcho to find her lost little sister, and so he offers to drive and accompany there. However, due to Wha Young's melancholic nature due to her lost sister, the conversations between the two people are muted and Wha Young travels in mostly none communicative silence. Their journey is then traversed within a gloomy pensiveness of silent angst, as Mr Kim and Wha Young travel partially, sometimes alone and sometimes together, by coach and car in trying to locate their lost and displaced loved ones. And of returning to their own personal pasts, through the haziness of uncertainty and trial. Although stark in outlook, this idyll of a meditative 'road journey' movie, portrays some quite beautiful snow filled mountainous landscapes, as Mr Kim and Wha Young travel to the coastal region of Sokcho. Certainly rarely seen in other Korean movies, and although quite sparely inhabitable and a bleak region, the snow filled scenic beauty is there, and also can be a good 'journey' movie in a cathartic sense. The cinematography is certainly one of this film's strong points. It was interesting watching the traveling aspects of this, and of how vividly it reflects the sense of movement and clarity. By the muted musical score and the silent parts of the traveling, you can sometimes 'feel' that you have taken a packed bag yourself and gone along with Mr Kim and Wha Young on this journey. Generally, due to most films having fast editing processes, the 'sense' of travel in movies can be quite dampened or difficult to feel what the sensations of travel are like, by the blur of 'noise' in that sense. But in "Time Between Dog and Wolf", travel is the main situation at hand and the perceptions and sensations of this are quite vivid. The coach journey, the car traveling all convey a heightened tactile awareness that brings feelings you would similarly experience yourself, and the meditative type pacing and naturalness of these scenes are quite beautiful and serene, albeit shrouded in somberness. A juxtaposition of scenic beauty and social pathos. These two protagonists themselves reflect each other's plights. They both have pasts that have affected and hurt them deeply, and the cold aspects of the snowy winter journey they endure, reflects this also. Mr Kim follows Wah Young quite a bit to start with, moving away slightly from his own objective, as his own curiosity to why Wha Young prefers mostly to travel alone (she doesn't mention to Mr Kim about her lost sister straight away). Each stop off at various towns to eat and sleep, and sometimes find themselves in drunken stupors and occasional conflicts with locals. Eventually, they both reach a mountain range near Sokcho, where they sit and watch the dusk and the night creep in and where Wha Young discloses to Mr Kim how she now dislikes this serene setting, due to it being the time of day that her sister had gone missing. This scene of evoking either serenity or displeasure is the one on the cover of the DVD, and brings to mind (for the two protagonists anyway) a mixture of beauty, uncertainty and change. This relates to the meaning of being in a psychological condition as to be uncertain about 'dog' or 'wolf' - when looking out on a dusky evening and finding it difficult to tell between one or the other. But this is a metaphor relating to the human conditions of disorientation and reality, following tragic events. To be unable to properly distinguish between dog or wolf; the haze of confusion and decisions becoming temporally difficult. Knowing who and where you truly are. In "Time Between Dog and Wolf", this reflection relates to the past of displaced people from the Korean war, that Mr Kim finds when he eventually returns to his home town. The sober human thought here, though, is recognizing the sometimes un-avoidable changes. We all lose loved ones, our worlds around us change within time, that is mostly slow, but can be sometimes dramatic and catastrophic. This film can be seen as a miniature, a realization factor of those natural requisites as memories, and a broaching towards understanding and pulling us out (sometimes) from our normal and somnambulistic everyday lives (jobs, daily concerns etc.) we lead, to face and contemplate those type of changes/challenges that address us as mortal creatures. The two characters here in "Time Between Dog and Wolf" are essentially dealing with with personal lost loved ones in one way or another, and the challenging aspects of their social and familiar world. When Mr Kim returns to his homeland of Sokcho to locate his father, he finds that its a mixed place of past memories from the Korean war, with scattered remnants around the many ruined former homes of residents, and also the modern structures of buildings about to be built there. For an elder Korean relating to Sokcho and the past Korean war, watching the latter scenes in this would prove to be a very emotional experience, certainly in regarding that many people in the town have families who are divided across the two Koreas - North and South. Families who have never seen their loved ones in 50 years, as well as the changeability of certain towns like Sokcho that have remnants of past traditions and customs. But also moving into a more modern world from those past traditions. Watching this film at this specific time, can vent a parallel sadness relating to modern dramatic changes in society - like China's Sichham earthquake and Burma's terrible flooding disaster, and of the tens of thousands of people losing their lives and being similarly displaced. Mr Kim's hometown of Sokcho brings to mind this overwhelming double tragedy by the nature of change he finds there. Many lost their lives in the Korean war. Tomorrow's future for China and Burma will be looked back on similarly like how Mr Kim reflects upon the past 50 years of Sokcho. Certain present survivors of the China earthquake and Burma floods, must also be in similar states of needing to differentiate between dog and wolf - hope and fear, reality and none reality. Its shows by this movie, of needing to take stock of ourselves and see that it is ourselves that are the most important parts of our lives. In the end, maybe there could be a forwardness towards that peaceful and more positive scene on the DVD cover with Mr Kim and Wha Young gazing at the lowering sun, contemplating their individual dilemmas of lost family members, but a scene that can essentially be a peace that it silently conveys. Not a somber scene - but one of simple positive hope! The dove that could fly out of those mountains, to join together the separated perceptions of 'dog and 'wolf' (woman and man, too?) and in between spark the crucial realizations that life and death are mere aspects of a continuation towards infinity and recognition. Like the tragic events that have happened lately, this film also doesn't have a satisfying conclusion, and is certainly one of those films you need to contemplatively fill in the gaps, where our own personal experiences can only be the ones to do justice with that. This DVD is another of the Sponge indie titles. This version unfortunately as no extras and only as the main film to offer. But this is a worthwhile work, although a hard and somber affair, but can challenge and generally be rewarding in the long run. And sometimes a necessary and relevant type of film for a specific time. |







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