With A Girl Of Black Soil (DVD) (Korea Version) DVD Region 3
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YesAsia Editorial Description
Though suffering from a respiratory disease, coal miner Hae Gon leads a happy life with his mentally challenged 11-year-old son Dong Gu (Park Hyeon Woo) and precocious 9-year-old daughter Young Rim (Yoo Yeon Mi). Soon harsh reality slaps their faces when Hae Gon is fired from his job without any compensation. On top of that his shabby house is targeted for housing demolition. Desperately scraping all his demolition subsidies, Hae Gon buys a truck to start up a business. But when Dong Gu accidentally drives the truck right into a luxury car, the family is left penniless. With all hopes evaporated into thin air, Hae Gon sinks deeply into depression and alcoholism, leaving the family's livelihood in the hands of his young daughter.
Technical Information
| Product Title: | With A Girl Of Black Soil (DVD) (Korea Version) With A Girl Of Black Soil (DVD) (韓國版) With A Girl Of Black Soil (DVD) (韩国版) 黒い土の少女 (韓国版) 검은 땅의 소녀와 |
| Also known as: | 黑壤少女 黑壤少女 |
| Artist Name(s): | Jeon Soo Il 全秀日 全秀日 Jeon Soo Il 전수일 |
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| Release Date: | 2008-05-16 |
| Language: | Korean |
| Subtitles: | Korean, English |
| Country of Origin: | South Korea |
| Picture Format: | NTSC What is it? |
| Disc Format(s): | DVD |
| Region Code: | 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it? |
| Publisher: | Premier Entertainment |
| Other Information: | 1 DVD |
| Package Weight: | 100 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1011008948 |
Product Information
* Sound Mix : Dolby 5.1
* Director : 전수일
강원도 탄광촌, 녹록치 않은 현실 속에서도 아버지와 두 아이는 희망을 잃지 않고 즐겁게 살아간다. 누가 봐도 쉽지 않은 조건이지만 아이들과 함께 어떻게든 생계를 꾸려가고자 하는 아버지 해곤, 귀엽고 똘똘하게 아버지의 사랑스런 딸, 오빠의 자상한 보호자 역할까지 해내는 아홉살 영림, 지능은 3살이지만 아버지와 여동생을 잘 따르며 밝은 모습을 잃지 않고 살아가는 열한살 동구. 이렇게 세 식구는 서로를 바라보며 힘겨운 현실도 잊은 채 즐겁게 살아간다.
하지만 현실은 이 세 사람에게 즐거운 날만을 허락하지 않는다. 해곤은 탄광에서 사고를 당하고 보상금도 받지 못한 채 해고된다. 사택 철거 보상금으로 간신히 마련한 용달차로 장사를 시작하게 되면서 새로운 삶에 대한 꿈에 부풀지만 동구의 실수로 용달차가 고급 승용차에 사고를 내면서 용달차도 잃고 추가로 보상금까지 물어줘야 하는 최악의 상황을 맞게 된다. 다시 일어서기엔 너무 많은 절망을 경험한 해곤은 어린 아이들 앞에서조차 술로 하루하루를 보내며 점차 나락으로 빠져들고, 예전 같지 않은 집안 분위기에 불안을 느낀 동구는 나날이 통제하기 힘든 행동을 하여 영림을 힘들게 한다. 더 이상 혼자 아버지와 오빠를 감당하기 힘들어진 영림은 이 둘을 도와줄 나름의 방법을 모색하게 되고 마침내 하나씩 실행에 옮기기 시작한다.
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Awards
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Pusan International Film Festival 2007
- Netpac Award Winner
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "With A Girl Of Black Soil (DVD) (Korea Version)"
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As he confirmed with his previous feature, Time Between Dog And Wolf (2005), independent filmmaker Jeon Soo-il's films go to places that are rarely explored in modern mainstream Korean cinema. It was in fact while making his previous film in the remote north-eastern province of Gangwon and hearing stories of hardship in the region that the director decided to make a further film in one of the region's coal-mining communities. Inevitably with the coal industry being in decline worldwide and there being few job opportunities available for those with no other labour skills, the picture With A Girl Of Black Soil paints of the region is one of poverty and misery that even surpasses the glumness of the director's previous film, but it also finds beauty and resilience in the lives of one family who seem to have more than their fair share of troubles. The father, Choi Hye-gon (Jo Yung-jin) discovers that he is suffering from respiratory disease, but until the disease develops other complications, the mining company refuses to assist him with medical care. Finding a new job in his condition isn't easy, but Hye-gon is offered work delivering and selling fish at a market, and even if the work doesn't appear to be strictly legitimate, it's enough to give him a sense of worth and the money he needs to look after his family. He can't afford the special care that is needed for his mentally ill eleven year old son Tong-gu (Park Hyun-woo), but his nine year-old daughter Young-lim (Yu Yun-mi) looks out for the boy, who needs constant supervision as well as some help from his younger sister to fend off the other boys who make fun of him. They are a close family, sticking together and doing whatever it takes to get by, but when complications arise with Hye-gon's new job and the family are subsequently served with an eviction notice to move them out of the slum they live in, they find their mounting troubles start to overtake their means to resist. With A Girl Of Black Soil takes us directly into those communities only glimpsed in Jeon Soo-il's previous film, but whose situation was nonetheless fully felt in the bleak, frozen, rundown, snow-patched locations. While the director's latest film is certainly a little more conventional in its depiction of poverty and misery endured by the Choi family who nonetheless put a brave face on things, it's in the use of locations that the director is again most effective. If there's a certain amount of dramatic contrivance in the narrative that pushes it towards melodrama, it's the use of locations that gives the film a deep authenticity, a real sense of how people in the mining communities of the province live, and the daily problems they have to deal with. The film consequently has all the social immediacy of Jia Zhangke's Still Life, and like the Chinese director, With A Girl Of Black Soil is Jeon Soo-il's direct response to the conditions he sees people in his country living in, people living in outlying communities, often forgotten about and not only by the country's filmmakers. The cinematography of these locations is consequently astonishingly good, the almost monochromatic depiction of the contrasting banks of sharp black rocks and coal in a snow-capped environment further underlining the harshness of the conditions the characters live in, but significantly, there is one explosion of life and colour in the film in the form of Young-lim. Playing joyfully in the damp, dank openings of abandoned mine shafts with her brother, dancing and singing at the top of her voice, the young girl not only paints colourful pictures with crayon on paper and even on the very walls, but is even capable of expressing the struggle of life to succeed against the odds in even the most difficult of circumstances with a footprint flower in the snow. The magnificent performance of little Yu Yun-mi is one of almost heartbreaking intensity, holding the film together in the same way that her character holds her family together. Equally with both the dramatic situation and the film itself however, the severity of the circumstances and the pervasive misery would appear to be even beyond her limited means to alleviate.
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Overall by Noel Megahey - DVD Times |
Editor's Pick of "With A Girl Of Black Soil (DVD) (Korea Version)"
See all this editor's picks
June 23, 2008
|
There are few cinematic settings that assure depression as much as "coal mining town". Add children to the lot, and you're just about guaranteed a gloom ride. Indie drama With a Girl of Black Soil, however, is not so much gloomy but devastating, using minimalist storytelling to maximum effect. Director Jeon Soo Il, who previously impressed with Time Between Dog and Wolf, has certainly crafted a minor masterpiece completely deserving of the accolades it received on the festival circuit.
With a Girl of Black Soil revolves around spunky young Young Rim, an energetic girl with an easy smile and maturity beyond her years, brilliantly portrayed by child actress Yoo Yeon Mi. Though only nine years old, Young Rim is essentially the primary caretaker for her mentally slow older brother (Park Hyun Woo), chaperoning him at school and defending him from bullies. Her burdens multiply after her coal miner father (Jo Yeong Jin) loses his livelihood because of respiratory illness and eventually takes to the bottle. The more responsible Young Rim is in the face of such trials, the more heartbreaking it is to watch, because it is increasingly clear as the film progresses that she is most definitely a child who has played adult for too long, a child who's been called to give more than she has. What she doesn't say out loud is painfully written on her young face between the smiles. Still, such observations are more in retrospect as With a Girl of Black Soil remains very emotionally grounded throughout. The children's giggles and the close relationship between brother and sister lend a precious and even pleasant atmosphere to the film in the early go. The father, though drunken and defeated by the story's end, never comes across as a complete deadbeat; he clearly cares about his children, even if he is increasingly unable to care for them. In fact, because the story is more centered on the child's point of view, for most of the film the world actually doesn't feel as dark as it could be given the conditions at work. Even the mining town finds a kind of rough beauty in the film's simple, sweeping photography and the image of white snow against black soil. With a Girl of Black Soil slowly breaks hearts not so much with the outright tragedy of the family's poverty, but rather details that bring home their physical and emotional plight. The moments when Young Rim displays silent envy of her classmate whose hospitalized father got compensated by the company for his illness, or when Young Rim's father expresses frustrations about being sick but not sick enough to be compensated, capture the emotional toll that has been taken by the unforgiving circumstances of their lives. Another particularly affecting scene is when a group of miners sing and drink to their miseries in a mass rendition of the traditional folk song Arirang, only with new lyrics moaning the coal miner's life. With a Girl of Black Soil's greatest triumph though is in its devastating conclusion. The tragedy that one pretty much expects from the beginning given the setting and premise does come, but in a completely and utterly unexpected way. It's an ending that made me reassess everything that came before, and certainly an ending that will stay with me for a long time. |
Customer Review of "With A Girl Of Black Soil (DVD) (Korea Version)"
See all my reviews
June 30, 2008
|
Although cuttingly bleak and sentimentally depressive, this movie is also an exceptional illustration of the plights of Korean mine workers. The story is mainly seen through the eyes of the little girl of the title, Young Rim (acted by Yeon Mi Yoo - who is an absolutely magnificent young actress in this!) and of the hard responsibilities that become thrust upon her, by circumstances in looking after her mentally backward brother Dong Gu and unemployed mine worker father Hae Gon; who the latter turns heavily to drink and depression after losing his job as a pit miner. But although Young Rim as a somber outlook on her duties, her highly strung character and vitality, her natural happiness contrasting the harsh weathering social hardships she faces everyday, make this a hard but rewarding reality film to watch. Filmed in a docu-drama style with a quite stark and stripped down outlook of a rural coal mining town in Kangwondo Province, this well paced and excellently acted film is probably one of the best KOFIC/Sponge indie movies I've seen yet. Although the main characters fill almost all of the running time, this film also shows everyday lives of Korean coal pit miners, and displays the stoic resolve these hard working people have in surly one of the hardest and dangerous jobs on the planet. The opening film segments introduces this aspect by showing the miners at work and of their daily routines. Set within a tightly knit and dignified labor community, Hae Gon braves his daily toil amongst a looming threat of unemployment, when he learns that he as sever lung problems. On top of that, the mining town is prepared for expansions within the local industry, which will cause many of the locale's homes to be demolished, and for them to be re-housed. This leaves Hae Gon and his two children, Young Rim and Dong Gu with the threat of temporary home eviction, which becomes another burden additional to Hae Gon's unemployment and ill health. Director Il Soo Jeon's film and screenplay, though, is centralized through the eyes of little 9 year old Young Rim, and of the very first scene with her looking at herslef in a gloomy and dirty full length mirror, reflecting the difficulties this little soul as to contend with at such an early age. For one, Dong Gu her brother as learning difficulties by his attention problems and Young Rim as to constantly attend to his every needs, showing immense affection and care to enable Dong Gu not to get bullied at school, and to remain his friend, as well as his sister, where he may lack them due to his backward condition. This caring nature in Young Rim is what steels your heart immediately to her, and is the most endearing aspect of the whole film. Her intelligence is a contrast to her brother's unfortunate lack of basic skills, and as she helps by guiding him through simple daily chores, playing innocent simple games and holding his hand affectionately by her worry and care - do you see the fragility and stress that Young Rim goes through. Aside to this, Young Rim's father mine worker Hae Gon, as to give his job up as a coal pit worker due to contracting a sever lung disease from coal dust. This is caused by Hae Gon not having a mask to wear within the mines and being over exposed to coal dust, which eventually damages his lungs. So Hae Gon is forced to leave his job by strict medical recommendations and without any possible future employment. As Hae Gon's skills are totally reliant to his pit work and that all local menial jobs in the town are scarce and of his ill health - him finding work again proves almost impossible. Hae Gon's union manage to get monetary compensation for him regarding the incompetence relating to his health, but after a number of accidents that follow Hae Gon sinks into a pit of drink and depression, as he contemplates his dire future. This leaves little Young Rim to care for him. Although certainly sounding bleak and oppressive by all the families circumstances, this film becomes somewhat balanced out by Young Rim's unique charm, care and springy happiness (considering her harsh situations) and even her father and brother seem happy at the beginning. This partially alleviates this film becoming one mighty depressing watch - and contrasts considerably the gloom of the movie. Also the stoic resolve of the community and of how they integrate, sing and laugh (albeit about their woes) and generally face life with solid positiveness, lifts somewhat the loneliness situations that is perceived strongly in Young Rim's heart. She recognizes her hard situation and reasons that she is beset by a grim future. At one point, Young Rim draws a flower in the snow with her boot footprints - as a means of expressing her wish that life could be reflected with more beauty and colour (instead of the dark grimness of her life she first perceive in the mirror). The snow that itself covers a blanket across the mining town and over the black soil and stones of the mounds and mine works. That being why the child drawing of a yellow flower is seem on the DVD cover artwork, and of the other black and white 'flowers' that depict the black coal mounds and hills surrounding the mining town, along with the cold winter of snow capped hills. Young Rim walks through all these scenes, amongst the mining railway line network, the large grey and cold industrial building structures and of the scattered trashed electrical appliances strewn around and within disused mining tunnels. All painting a monochrome world of stark reality and hardship. All this, though, is so well directed and produced by the human story it tells. The viewer is not totally thrust into merely a depressing account here, but shown by the various emotions and concerns of Hae Gon and his family - with much charm and stoic wit. Hae Gon sings brightly a song of hope with Young Rim in their car as he drives them home through the mining town - and Young Rim singing in high esteem!. Young Rim plays and contends happily with her brother, and the overall feel of this movie includes everyday life contrasts and circumstances. The natural positive spirit amidst adversity. By that the black soil (dire circumstances) and white snow (hope and happiness) are reflected against each other within the monochrome backdrop. Its funny, too, at times. Like when Young Rim comes home after roaming the mining town and finds her brother Dong Gu bruised and cut, and considering that he had at one point got lost leaving Young Rim and her father frantically trying to search for him. And of Dong Gu ending up getting smacked by his father when he had eventually been found hiding up a bell tower - seems as if her brother could have been punished even more by her father. But far from that, Dong Gu's bruises and cuts are related to him becoming attached to a hen their father had brought at a market stall, as means of food by the hen's egg laying. But as Dong Gu had been holding him too near his face and harrasing the hen a bit too much, gets 'hen pecked' in his face thereafter - leaving him with all the cuts and bruises. The state Young Rim finds her brother in, when she returns home afterwards. Due to this, the hen is then hit with a stick by Young Rim and ends up being cooked for lunch. The young actor Hyeon Woo Park who performs the brother is also excellent. He suffers from attention problems and constantly needs to 'play' or gaze fascinatingly at all things around him - like his father's automatic car window screen, the surroundings of the town as he travels with his sister. Due to his problems he causes mis-adventure at times by his un-realizing actions. But he is obliviously happy with his lot and life - an irony to the opposite circumstances. Right from the beginning at a bus shelter as both Young Rim and Dong Gu wait for their father to finish work (just before he loses his job), Dong Gu stands on the top of the shelter playfully throwing down snow onto his sister, as she dodges his attempts and the happiness factor is shown from the onset of this film's black and white contrasts. Unduly, by their father sinking into his own depression leaves Young Rim needing to become the 'mother' of the family and taking on the chores of cooking, as she as no mother of her own. At the onset a female social worker is seen at the bus stop where the two children are playing with the snow, and later on when this woman sits on a bus near Young Rim and her brother, Young Rim's pained look that she gives towards the woman, makes you realizes how she must crave for a mother of her own. In fact, the only 'light' to Young Rim's world are mining town's snow capped hills and the joy of her genuinely happy brother. Her caring attitude and lovingness shows Young Rim to be a highly compassionate soul. But the fatal mental strain and ill health of her father, the harsh poverty of their lives and of her brother's future welfare, tragically affect her mental state - which is shown as a 'breaking point' by this film's conclusion. And one very hard conclusion never to forget! In essence, this film portrays well the industrial hardships of the black coal years of any nation at various times - and of a very touching story of one such family in those conditions. But the turmoil and tragic upturns of these people whose whole lives depend on coal mining to survive, albeit the dangerous work involved, are shown vividly and complete by this movie's brilliant depiction. If there is a Korean movie this year I would highly merit, it would have to be this one. Its stark, but brilliantly filmed account of the mining industry and of situations that the director actually encountered with people he met while working in his other movie "Time Between Dog and Wolf". The little actress here as Young Rim is one performance you wont forget, and a sight to behold and her fantastically focused role is almost perfect. She's champion here and will certainly win your heart after watching this. Hard going, but strongly recommend film. This is a masterpiece. |






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