2014/12/18 | | Permalink
Like the last big news story featured in "Pinocchio", this one is over in the blink of an eye. I don't know why I was expecting Jae-myeong's plan to be something more complicated- what we get instead is astonishingly simple and elegant, and captures the exact sense of narrative cohesion I was looking for. Jae-myeong and Ha-myeong fight back against journalism by turning the power of the press directly against Cha-ok. Now she's the one with a lot to answer for against a basically cruel and hostile audience...More
2014/12/17 | | Permalink
The pacing continues to be slow here. We still don't find out what Jae-myeong's plan actually is- mostly to drive up interest for the next episode, where it should be displayed in full, clear detail. For the most part this is just a negotiation- Jae-myeong tries to convince Dal-po that they need to follow through on revenge, however unpleasant the prospect may be. Well, technically he's trying to convince Ha-myeong. Therein lies the conflict. To which name does our character owe more loyalty- Dal-po or Ha-myeong?...More
The questions brought up last episode are mostly answered here. Events have clearly been orchestrated in such a way to set up an obvious scapegoat. Technically this revelation is the cliffhanger, but such is the nature of "Pride and Prejudice" that it's much easier to work out what the drama's doing by going backward rather than forward. We've finally confirmed one suspiciously friendly character as being a villain, although this person's overall angle remains entirely unclear...More
Il-ri is desperate for approval. Tempting as it may be to call it love, that's all I can really see when the woman shows up on-screen agonizing over making the right impression on Joon. I don't think it even matters that it's Joon. Il-ri will accept approval from any possible direction. In some ways it's a natural consequence of the woman's general isolation. I think the issue is less sexual as it just loneliness. Il-ri doesn't have any friends...More
"The King's Face" is a rather disjointed drama. It takes the central idea that face reading is powerful enough to determine a man's destiny and tries to piece the different parts of the drama to that. The most important pieces that are tied together by face reading is that King Seonjo was not meant to be king and that Gwanghae is destined to be a great king. It puts father and son directly at odds, which is the main story played out by "The King's Face".
The problems is that this main story doesn't quite have the support from the rest of the drama to make it feasible...More
2014/12/15 | | Permalink
It's another confusing episode- confusing in a good way, I guess, since the modus operandi of "Pride and Prejudice" at this point is to keep us guessing. So, for that matter, do the villains. There are strong indications right from the beginning that they actually do want Dong-chi to succeed, to some limited unknown extent. Help ends up coming from a rather unexpected place right before the situation appears to turn suddenly and harshly lethal...More
2014/12/15 | | Permalink
The divide between real life and what seems to be a fantasy continues to remain an ominous presence in the story. Take particular note of the dual scenes where Il-ri takes her problems to Hee-soo. In both cases, Hee-soo is just sort of perplexed at how ridiculous the situation sounds. It's an aspect of real-life relationships that a lot of people don't like discussing for the exact reason presented here. Il-ri feels less like a person undergoing genuine emotional strife and more like a child acting out a delusional fantasy...More
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