2016/04/24 | | Permalink
The balance between inevitable tragedy and familial contentment is rather off as the ending to "Marriage Contract" is frustratingly open-ended. It's not even ambiguous or anything- most of the conflicts are straight up left unresolved, and there's no epilogue. Just a recap of what's happened. For a sense of perspective, the last we see of Seong-gook, he's randomly throwing things. We don't get to see what happened to Jeong-hoon at all...More
Revenge has been taken in all manner of ways in a genre very favored by Korean drama. The basics of these premises remain very similar, something which sadly extends to their entire plots sometimes. Worry not, however, because a new type of revenge has arrived. An apron is his cape and a rolling pin his weapon. It sounds funny, but do not underestimate "Master - God of Noodles"...More
Korean dramas making abrupt changes is something audiences have grown used to, but one of the latest variations of this bad habit has been radically changing a drama's presentation and tone from the cheerful to the melodramatic very early on. "Please Come Back, Mister" felt like such a refreshing change to that. The drama does a lot of things well. Unfortunately, it also makes so many big mistakes that it ultimately ruins a lot of the good it had previously managed to build...More
There's this real magnetic quality we get from Lee Seo-jin and UEE. No matter how bad the situation gets, no matter how obvious it is that this story will have a tragic ending, as long as Ji-hoon and Hye-soo are together, they will not give up. "Marriage Contract" is their story of sheer determination. It hits all the harder because we've seen Ji-hoon and Hye-soo alone and know that absent positive reenforcement they struggle to achieve the simplest tasks...More
"Time Renegades" the time-travel film from Director kwak Jae-Yong ("Daisy", "My Sassy Girl") came in number one its opening weekend and for good reason. It was a slick piece that balanced the two worlds it depicted and the relationship between dream-tied strangers realistically and with plenty of suspense. It premiered in South Korea on April 13, 2016, and had its North American release by CJ E&M on April 22, 2016...More
Nam-soo (played by Lee Sang-yoon) is a producer working for a late night horror show that involves ghosts. Not real ghosts, just actors in ghost make-up. Nam-soo is irritated by the low prestige nature of this work, and quickly takes up the track of investigative journalism when a freak discovery at a shooting location begs a lot of important questions. This trail ends up leading to a mental patient (played by Kang Ye-won) who is identified in hospital records as Soo-ah. The extent to which any of these records are accurate, well, that's part of the mystery...More
During the Japanese Occupation of Korea, So-yool (played by Han Hyo-joo) and Yeon-hee (played by Cheon Woo-hee) are friends raised together as proper gisaengs, inheritors to Korea's traditional musical culture. The prospects of the young women take a radical turn in 1943, when they meet Yoon-woo (played by Yoo Yeon-seok), an aspiring songwriter who wishes to break the yoke of Japanese oppression by using music, as a weapon...More
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