Last episode's accident takes on immediate focus here, and for a time "Pride and Prejudice" once again does a great job reminding us what the difference is between TV investigators and real one. I'm genuinely not sure I've ever consumed a piece of fiction where one of the good guys accidentally kills a criminal, and this is actually treated like a bad thing. Usually their buddies bend over backwards to say it wasn't their fault, and anybody so impertinent as to suggest the loss of human life is always tragic regardless of circumstance is branded as a naïve do-gooder...More
After Woo-jin has revealed his gambit for making victory not so impossible after all, a twist pops up that threatens a reasonably interesting political allegory. What happens if you take power only to discover that the situation is not what it seems? This idea is mostly scuttled, though, because the main group immediately sets up a council to figure out what happened. Such are the advantages of a team that operates under a genuine assumption of trust...More
This episode is particularly brutal, both emotionally and physically. After twelve episodes of Seon hoping that his father will do the right thing by his people, he is crushed by the reality of his father's ambitions. King Yeongjo himself is again confronted by how far he will go when motivated by fear and ambition. Ambition and power make a deadly combination as those beneath Yeongjo discover.
That combination is enough to snuff out the lives of many and make Seon, the light and stalwart soldier of his people, waver...More
The first part of this episode deals with Woo-jin teaming up with Dal-goo to gain an advantage in the overall game. The exact mechanics of this are, unfortunately, a little bit difficult to fully parse because we're not told the rules for the fourth round until after Dal-goo has already been through the ringer. Given that the stakes are everything in "Liar Game", a failure to clearly define them does a lot of damage in terms of keeping the drama interesting...More
We open up with an exploration of Dong-chi's involvement with Yeol-moo's little brother's case. No information is hidden here for the sake of dramatic impact later on, even if the entire set-up to begin with was a fairly fantastic coincidence. Even though we know how the story's going to end, there's quite a bit of tension going on with young Dog-chi. On a basic level, this is the story of his greatest failure, even if at the time he was just a kid with no way to know how to handle this kind of crisis situation...More
When we last left off, all the characters' basic motivations toward matchmaking had been pretty clearly established, and some of them have been more successful than the others. We start off with a couple of the men trying to figure out why they've been doing so poorly. They do in fact get an explanation, but it's oddly unsatisfying. Mostly this is because, much like this drama's done so far, the commentary here mainly just seems to be on how arbitrary and mostly useless the dating process...More
Christopher Nolan's epic sci-fi event "Interstellar" absorbed 73.2% (1.6M admissions) of the box office pie over the weekend; the $165M delight was given 1,342 screens to pool from (more than double any other), and dominated from there.
Last weekend's number one, David Flynn's "Gone Girl", retreated to third with just 147K (6.6%), while Oh Ki-hwan's "Fashion King - Movie" entered the fray in second (284K - 11.5%). "Gone Girl" was enjoying pole position prior to Nolan's masterpiece and Oh Ki-hwan's K-comedy, but even so the film has only amassed 1.5M admissions ($11.3M) since its release late October...More
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