The Cannes Film Festival appears to be particularly cruel for one Korean director. Perhaps Lim Sang-soo's tirade for his failure to win means a gap the Korean film industry has to fill to be a producer of movies that truly live up to global standards.
Before and after the closing ceremony, Lim, who directed, "The Taste of Money", said to various Korean media that his failure to win was a personal "tragedy" and his participation a mistake because he was telling a "very Korean story" that foreigners can't understand.
"Only ordinary people living Korean can understand (his film)", he was quoted as saying.
Being at a loss for an explanation, Im continued to create new conspiracies. In the Korean interview, he even cited one of his responses to the press ― that his next work will be a harsh critique of Caucasians ― as the reason behind his empty-handed return home from the West.
He alleged that Thierry Fremaux, the head of the festival, had given him the cold shoulder during a dinner, which was apparently a surefire sign of his impending "tragedy".
His entry received the lowest mark out of the 22 works in competition for Screen International, which aggregates reviews of the most respected critics worldwide. As much as Im insists on his work's realism, The Taste of Money gives no new insight, something virtually every reviewer mentioned.
It is supposedly a voyeuristic look into the salacious private lives of the super-rich, but it is instead a tacky fantasy. It panders to the baser senses; it is nearly pornographic.
Im implies that the "ordinary people" he speaks of should watch it and find gross satisfaction in the unhappiness of those classed above them.
It is a surreal, albeit visually striking, attack on the creme de la creme with unbearably unnatural dialogue between these "real" characters.
Variety wrote in its review, "Even with such heady ingredients as sex, power and murder, there's little flavor to 'The Taste of Money', a trite and tangled potboiler". The article further referred to it as a "glorified domestic drama with classier couture and shapelier champagne flutes".
Im said that he has "contempt for Asian movies that are always invited to European festivals and meet the expectations of the West", so he should no longer participate.
By Kwaak Je-yup
- Stay on topic and do not spam.
- Emoticons are fun, but actual thoughts are appreciated.
- Refrain from abusive language.
- Post only in English, as this is an English language community.
- Do not share pages or media unrelated to the topic you are commenting on.
- Do not request or mention illegal download/streaming services.
- No graphic content allowed.
- Respect the right of other users to share their opinion. Arguments are welcome, fights are not.
Comments which break the rules will be erased. Repeated rule breaking will result in blacklisting.
(37) 'Yonsama': Korean love god captures Japanese hearts
Actor Bae Yong-joon waves upon his arrival as Japanese fans gather at Tokyo International Airport ,...More
Rising Korean stars 'Boyfriend' make official Japan debut
Members of South Korean pop group "Boyfriend" pose on a ship in Tokyo Bay Monday. / AP-Yonhap By ,...More
Subscribe to HanCinema Pure to remove ads from the website (not for episode and movie videos) for US$2.99 per month (you can cancel anytime).
The first step is to be a member, please click here : Sign up, then a subscribe button will show up.
52nd Baeksang Arts Awards 2016Movies Nominees Most Popular Actor in a Movie Most Popular Actor in a Drama