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Was Mom Ever in Love?

| Source | 2004/07/05 | 50 views | Permalink | 0 comments Share Buzz
Kang Byeong Jin (internews)

'My Mother, the Mermaid - Little Mermaid' casts new light on mother-daughter relationships

It feels a little weird to imagine our parents in love. It's hard to imagine that they too had that tingly feeling by just thinking about or being with each other. It seems impossible, seeing them now.

The word romance just doesn't go with couples who constantly nag, yell and hurt each other. However, this denial comes from our own fear of becoming them one day -- despite our attempts not to.

"My Mother, the Mermaid" opens with a scene where woman divers surf under the sea. A woman diver slowly emerges from underwater. This scene is followed by the scene where Yeon Soon (the mother) spits out thick saliva as she emerges from the water-filled tub in a public bath.

Her daughter, Na Yeoung, is disgusted by her mother's spitting habit. She also resents the way her mother molests her father. She finds it difficult to understand why they even got married in the first place if they were so unhappy with each other.

In "My Mother, the Mermaid", Na Yeoung is not crammed with endless explanation to the situation but rather learns for herself through real-life experience. Na Yeoung does not have any happy memories of her family, and she is confronted with tedious reality. She seeks "refuge" by taking the opportunity to train abroad in New Zealand.

Her plan completely comes apart when her sick father disappears. Na Yeoung embarks on a journey to find her father. She arrives on a small island called "Hari", where her parents spent their youth in the past. Then she meets people that she does not expect. She encounters her 20-year-old mother, the woman diver and her dad, the handsome postman on a bicycle.

It's not easy to explain how a character living in the present visits the past. The logical explanation to how the character was able to visit the past is a necessity in films. However, "My Mother, the Mermaid" simply skips that part by connecting the reality and the past with matching scenes.

Moreover, the people in the past greet Na Yeoung without suspicion. Of course, this could be Na Yeoung's imagination and dream. But it could actually be a reality.

The juxtaposition of past and the present manifests itself now and then throughout the movie. The part where Yeon Soon's youth as a diver in sea makes a smooth transition to herself in her later years as a back scrubber working in a public bath signifies the basic structure of the film.

Yeon Soon's tendency to spit often comes from the spitting habit she got from diving in her youth. Na Yeoung puts such pieces together to make sense. By doing so, she finds this "journey" a short cut to the process of understanding her mother and her parents' relationship.

"My Mother, the Mermaid" reminds us of Director Yoon In Ho's "Mayonnaise" (1999) another film depicting the conflict in mother and daughter relationship. Also the director's dealing with parents' love story puts Zhao Di and Zhang Ziyi running with food featured in "The Road Home" (2001) and Yeon-Soon running with Korean pancake in direct comparison.

However, in "My Mother, the Mermaid" reconciliation is not found in the process of daughter's assimilation to her mother nor is there a reminiscence of the past. This film is somewhat different in that Na-Young comes to stand on a equal setting as her mother when she steps into the past. Moreover, Jeon Do Yeon's double-role contributes to this movie's uniqueness.

Na Yeoung witnesses her mother's true emotions and actions. As she converses with her mother without fighting, they are able to exchange honest talks about their mothers.

If the relationship between mother and daughter is the internal extension, the film "My Mother, the Mermaid" itself is an extension of Director Park Heung Sik's productions. His previous work "I Wish I Had a Wife" (2000) featured Won Ju pressing his foot against Bong Su's foot, which can be connected to Yeon Soon's act of pressing her foot against Jin Guk's footstep.

Moreover, after complaining that "If I don't look close enough, there's too much that I can't see", Won Ju goes back in time and finds his old self. As opposed to his previous work which adhered excessively to ordinary life, "My Mother, the Mermaid" deals with everyday life while retaining more flavor. Just like Na Yeoung who breaks the tedious submergence to soar up over the water surface, the director overcame the drifting and was able to reach the land.

Translation by Jennifer Park

Source : www.ohmynews.com... ( English Korean )

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Newer : Grab a camera and find your voice

Older : Korean Cinema Witnesses Fewer Productions in First Half

 Previous news
  • Korean Cinema Witnesses Fewer Productions in First Half
    2004/07/05 (Source)

    As Korean cinema draws a wider appeal among moviegoers both at home and abroad it is easy to assume that there are more productions getting off the ground, but ironically that was hardly the case during the first six months of this year.

    According to the Korea Media Rating Board, a total of ,...
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  • Monks stage showdown with gangsters
    2004/07/05 (Source)

    "Hi, Dharma 2: Showdown in Seoul" is lively and entertaining, but fails to outdo the 2001 original. Perhaps it's too optimistic to expect a showdown between monks and gangsters to strike a chord twice.
    In the original film, which sold almost 4 million tickets in Korea, monks clashed with runawa,...
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  • 'Korean Wave' Creates Mixed Feeling in Korean-Japanese Community
    2004/07/04 (Source)


    With the crave for Korean dramas sweeping Japan, there are increasing Internet sites devoted to Korean dramas. On the initial screen of "Drama Korea", there are pictures of Bae Yong-joon and Choi Ji-woo, the two leading characters of "Winter Sonata".

    How does the Korean-Japanese comm,...
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  • Arthouse theater's future in doubt
    2004/07/02 (Source)


    Koreans are known for their love of movies, but until 2002, those who wanted to see more obscure art films by Carl Dreyer and Alain Resnais on the big screen were out of luck.
    In the early 1990s, cinephile groups formed to satisfy the desire to see something other than Hollywood blockbuster fa,...
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  • [Local and Foreign Films With English Subtitles]
    2004/07/02 (Source)


    ▣ Orin Sinbu (My Little Bride) (2004)
    Seoul Selection Bookstore
    Saturday at noon
    Starring two popular young actors, the romantic comedy "My Little Bride" tells of the most unlikeliest of marriages. Kim Rae-won plays Sang-min, a brash college art student with an overactive libido, whi,...
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  • Seoul to lift movie import curbs in 2006
    2004/07/02 (Source)


    The government said yesterday that it would scrap its recommendation system for movie and music imports on Jan. 1, 2006.
    The removal, decided at a weekly meeting of economy-related ministers, will coincide with Korea's liberalized import of Japanese animation.

    "Participants agreed that su,...
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  •  
  • Director Kang looks to the world
    2004/07/01 (Source)


    Kang Jae-gyu's office in Gangnam, southern Seoul, is a cross between a bachelor pad and a lesson in modern interior decorating. Outfitted with a black leather furniture set, small metal trinkets and full-length posters of his movies, his office looks like something right out of a Nick Hornby n,...
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  • Dramatic impact of 'Old Boy'
    2004/07/01 (Source)

    With the media frenzy over "Old Boy"'s Grand Prize of the Jury triumph at the Cannes Film Festival finally beginning to die down, it should come as no surprise that this week's DVD review features - yes, you guessed it - "Old Boy" (2003). After all, how often does a psychological drama as good as,...
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  • [Movie Review] `My Mother, the Mermaid' Swims in Bittersweet Magic
    2004/07/01 (Source)

    By Joon Soh
    Staff Reporter
    The most interesting thing about the new film "Ino Kongju (My Mother, the Mermaid)" may not be what's in the film, but rather what's left out. A story in which the past and present of a romance meet, the film depends greatly on one magical moment but, like the prover,...
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