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After graduating from Yonsei University with a social science degree, BONG directed a 16 mm film "White Man" in 1995, and won an award at the Shin-young Youth Movie Festival. Then he directed "Incoherence" as a graduate project in the Korean Academy of Film Arts. A black comedy that criticized society with his unique sense of humor, the film was invited to international film festivals, giving BONG recognition and a rise to fame. Ending his career role as assistant director with (1997, directed by PARK Ki-yong), he directed his own feature (2000), making a big impression on the Korean film industry. His second feature (2003) based on the true story of a serial killing, attracted more than 5 million domestic viewers. He was recognized as one of the year's best directors, achieving both commercial success and artistic quality.Source Open the link























![]() Crush and Blush (미쓰 홍당무 - 2008) As : Private institute student (학원 수강생 회사원) - Cameo
| ![]() No Blood No Tears (피도 눈물도 없이 - 2002) As : Cameo
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![]() Mother - 2009 (마더 - 2009) |
![]() Mother - 2009 (마더 - 2009) | ![]() TOKYO! (도쿄! - 2008) | ![]() The Host (괴물 - 2006) | ![]() Memories of Murder (살인의 추억 - 2003) |
![]() Barking Dogs Never Bite (플란다스의 개 - 2000) |
![]() Mother - 2009 (마더 - 2009) | ![]() TOKYO! (도쿄! - 2008) | ![]() The Host (괴물 - 2006) | ![]() Memories of Murder (살인의 추억 - 2003) |
![]() Barking Dogs Never Bite (플란다스의 개 - 2000) | ![]() Phantom the Submarine (유령 - 1999) |
In a celebration of Korean film, a record 44 will screen at this year's 2009 International Film Festival of Marrakech. In addition, representatives from Korean government organizations, the Korean film industry: producers, directors, actors and film festival delegates will be in attendance. The festival, which began in 2000 has in the past focused on the national cinemas of Italy, Egypt and Spain. This year, signaling the growing importance of Korean film and certainly spurred by recent successes such as BONG Joon-ho's "Mother - 2009" and PARK Chan-wook's "Thirst", the festival turns its eyes to South Korea.
A whole host of Korean directors will accompany their films to the festival: IM Kwon-taek, the godfather of Korean cinema with "Surrogate Mother" (1986), "Seopyeonjae" (1993) "Chihwaseon" ("Strikes of Fire" - 2002) and more; LEE Do-yong "The Oldest Son" (1984); LEE Chang-ho "The Man with Three" Coffins (1988); JANG Sun-woo "Lies" (1999) and other directors; PARK Chan-wook "T...| More | |||||||||||||||||
Two Korean classic films from 2 prolific Korean directors whose films were part of and contributed to the famous Golden Age of Korean cinema are about to be remade. This period between the 1960's and 1970's helped lay the ground work for many of today's modern directors. The original "Housemaid" (1960), a melodramatic, sexual thriller became a signature film for director KIM Ki-young known for his eclectic mix of genre combining anything from the above through intense psychological horror to realism. The careful manipulation of genre is a style now exemplified by many modern day directors such as BONG Joon-ho. The film concentrates on a family who take in a housemaid because of the wife's exhaustion working at a factory. Soon after, the housemaid starts to exhibit bizarre tendencies, catching rats with her hands, spying on the family and then finally seducing the husband who she becomes pregnant to. So starts a wicked journey of murder, intrigue and the break up of the family.
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Veteran actress KIM Hye-ja won best actress award at China Golden Rooster and Hundred Flowers Film Festival, one of the most prestigious awards in China. KIM won the prestigious award for her critically acclaimed role in Mother. "Mother - 2009" is KIM's big screen debut. Busan Film Critic's awarded KIM the best actress award earlier this year. Also, she has been lavishly praised at major international film festivals including Festival de Cannes. "Mother - 2009" is directed by BONG Joon-ho. KIM plays the mother of a mentally challenged son, a role by WON Bin. After the son is arrested for murder, the mother goes all out to have him released. After its Japanese (31 October) and Hong Kong (9 November) premiere, "Mother - 2009" will be released in ten more countries all over the world from Europe to South America. Yi Ch'ang-ho (KOFIC)...| More | |||||||||||||||||
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The fourth London Korean Film Festival 2009 runs from Nov. 1 to 18 and already some of the big name directors in Korea have flown to the United Kingdom to promote Korean movies. Prior celebrations and functions aside, the actual first screening was on Thursday (Nov. 5).
This year's film festival, with 25 feature films and four animations from Korea, is organized by the Korean Cultural Center in the United Kingdom and the Korea Creative Content Agency, with the support of the Korean government. The films will be screened at the BFI (British Film Institute) from Nov. 1 to 14; the London Barbican Centre from Nov. 5 to 12; Manchester Cornerhouse from Nov. 7 to 9; and Nottingham Broadway Cinema from Nov. 16 to 18. Some award-winning directors from Korea, namely director Park Chan-wook and Bong Joon-ho will visit London with their respective works, "Thirst" (2009) and "Mother - 2009" (2009). The Thirst, which won a Jury Prize at the 62nd Cannes International Film Festival this year,...| More | |||||||||||||||||
Director Park Chan-wook, who received the Jury Award at the Cannes Film Festival for his movie "Thirst", says that Korean films can gain global recognition by improving their artistic expression and setting new trends.In an interview with the Yonhap News ahead of the screening of "Thirst" at the London Barbican Centre as the opening film of the 4th London Korean Film Festival, Park said that Korean movies can be exported overseas not only by producing them in English but also by setting new trends. The festival will run through November 18 at the London Barbican Centre and the British Film Institute. A total of 29 Korean films will be screened, including "Thirst" as well as "Mother - 2009" by Bong Joon-ho. Interview with director Park Chan-wook. -- Did the film face a lot of red tape because it deals with Christianity? - We had a hard time designing its posters. In Korea, we had to take out the image of the lead actress's legs from the poster because they were said to l...| More | |||||||||||||||||
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