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By Lee Hyo-wonStaff Reporter Kim Aaron's noted feature debut "Lala Sunshine" opens Oct. 22 ― just a week after his romantic comedy "Hello My Love". This is the first time that a newcomer's works are being released in theaters back to back. "Sunshine" toured several film festivals, from Jeonju to Hong Kong and Lyon, France. In short, it showcases Kim's raw style before he got his feet wet in the mainstream cinema pool. The movie mostly succeeds in creating something highly atmospheric with a meaningful experimental structure. Weighty subject matters such as rape, revenge and redemption spin out through a deliberate sense of disjointedness. But flaws lie in its very strengths. Deeply affecting scenes are often diluted by anticlimactic moments that are clearly not intended to reflect the protagonist's fragmented mind. The script's rawness often leads to the realization that the movie is a student project ― albeit bonus points for crafting a very professional-...| More | |||
By Lee Hyo-won
Staff Reporter One of the world's largest and most influential film events for women, the 10th International Women's Film's Festival in Seoul (IWFFIS), came to a close Friday. The festival may have ended, but nine-days of enabling people to "see the world through women's eyes" left a lasting impression. The festival celebrated its big birthday with a big party, showing 140 films from 30 countries. It attracted over 50 thousand people, including over 40 female cineastes and scholars from 14 countries. Screenings recorded an average capacity of 86 percent, with numerous sell-outs. Special guests included esteemed directors such as Peng Xiaolian, the first Chinese filmmaker; Helena Trestikova, recipient of the 2007 Best Czech Documentary Film Award; and Barbara Hammer, who presented an intriguing documentary on women divers native to Jeju Island. The IWFFIS, being a playground for artistic and intellectual discussion, held two seminars at Ewha Womans Universit...| More | |||
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