Jeong Jae-yeong (정재영)

Film insiders excited over new works by three star directors

Hits came from all quarters in Korean cinema last year, with big blockbusters "Take Off" and "Haeundae", auteur films "Thirst" and "Mother - 2009" and indie sleepers "Old Partner" and "Breathless" all filling seats.

Disaster flick "Haeundae" was the first locally made film to top 10 million tickets sold in three years. Industry-wide box office returns hit a record high of 1.08 trillion won ($964 million), about half from Korean-made films.

The state-funded Korean Film Council forecast in a recent report that the local movie market will continue its incremental growth over the next five years, and 2010 is expected to be another bonanza for the local film studios. But the most hotly anticipated movies inside the industry aren't quite as diverse as 2009's top sellers - on the contrary, they're all in a single genre: thriller.

Korea's thriller renaissance, kicked off by "The Chaser" in 2008 and continued by "Secret - 2009" at the end of last year, continues with "No Mercy", the first big, locally made release of 2010.

According to a recent survey by the JoongAng Ilbo of 20 film experts including producers, investors and critics, the three most highly anticipated films scheduled to be released this year were all thrillers. "The Housemaid - 2010", a remake of a local classic, came in first, followed by "The Murderer" (working title), which will reunite "The Chaser" director Na Hong-jin with his two leads from that film. In third was "Moss" (working title) by veteran director Kang Woo-seok.

"The Housemaid - 2010", a remak...More

By Lee Hyo-won
Staff Reporter

The past year represented hope and revitalization for Korean cinema. While problems such as piracy linger on, the forecast for 2010 cinema appears promising with diverse projects in the making.

Cineastes are finding inspiration from the past and are bringing remakes of Korean classics as well as unique period movies. Big action flicks are gearing up for the 60th anniversary of the Korean War (1950-53) while much-anticipated sequels will cater to fans. Furthermore, a couple of Hollywood projects will head here for shoots.

2009 in Review

Both commercial blockbusters and unique indie films pulled the industry out of a three-year slump and cineastes made their mark near and far.

Kim Choung-ryoul's documentary "Old Partner" rewrote box-office history for the genre, while Yang Ik-joon's "Breathless" made waves by sweeping almost two dozen prizes at international festivals. Park Chan-ok's low-budget drama "Paju" was well-received among critics and moviegoers and the micro-budget road movie "Daytime Drinking" gained popularity near and far.

The positivity peaked in the summer. The success of the sports movie "Take Off" fed directly into the big-time box office scores set by the tsunami blockbuster "Haeundae", which drew over 10 million audience members in Korea for the first time in three years since "The Host" in 2006.

Stars shined strongly through the big screen. Korean actors debuted in foreign works, most notably Lee Byeong-Heon in "G.I. Joe" and Rain in "Ninja Assassin", while Kim Myeong-min made headlines for shedding 20 kilograms for his role in "Closer to Heaven".

Celebrity directors also made long-awaited returns. Park Chan-wook revisited the Cannes Festival with his vampire flick "Thirst" while Bong Joon-ho made a splash with the thriller "Mother - 2009".

On the flip side, illegal online distributions of "Haeundae", before its release in Chinese theaters, and of "Thirst", before DVD sales opened in the United States, led to big financial blows and signaled the red light on piracy. The country's top stars, including Jang Dong-gun and Kim Tae-hee, stepped up as representatives for the anti-piracy campaign: "Good Downloader".

Meanwhile, imported 3D movies tapped into the local theater market. While the number of theaters catering to the genre remains relatively small, there seems to be growing reception for 3D films. Animations such as "Monster vs. Aliens" and "Up" drew family audiences while "Avatar", new in theaters, has drawn over 1 million audiences in the shortest timeframe among 2009 films.

2010 Forecast

Back to Classics

During Korean cinema's Golden Age of the 1960s, well over 100 films rolled out per year (more than 200 from 1968 to 1969), and cineastes are finding inspiration in films from that time. Classics never go out of style, and next year...More

The film industry is already preparing for next year. Many renowned filmmakers have returned to Korea to produce movies about war and sequels to hit movies.

Director Im Kwon-taek will produce his 101st movie "Scooping Up The Moonlight". Directors Kim Tae-yong and Lm Sang-soo will produce remakes of "Late Autumn" ("Manchu") by Lee Man-hee and "The Housemaid" ("The Housemaid - 2010") of Kim Ki-young, respectively. Films about war will also be introduced to mark the 60th anniversary of the Korean War.


◇The return of maestros

"Scooping Up The Moonlight", which will be produced under the auspices of the Jeonju City government, is Im Kwon-taek's first film to be shot with digital cameras. It is a story about seventh-grade public servant Jong-ho, who wants to become a fifth-grade official. To achieve his dream, he takes charge of the traditional Korean paper "hanji" at the municipal government and becomes completely mesmerized by it. Jong-ho is played by actor Park Joong-hoon, who will appear in a Lim production for the first time. Actress Kang Soo-yeon will work together with Lim for the first time since her appearance in the 1989 movie "Come Come Come Upward".

Actress Yoon Jung-hee, who was one of the top three actresses of the 1960s along with Moon Hee and Nam Jung-im, will make a comeback for the first time after her 1994 movie "Two Flags". She will appear in Lee Chang-dong's new movie "Poetry". It is a story about a 60-something woman who raises her teenage granddaughter and receives basic living subsidies. One day she signs up for a literature class and begins to write her own poems for the first time. The movie is slated to open in early May.


◇War movies

Four films about war will open next year. They will deal with diverse subjects, including student soldiers and maritime clashes between South and North Korea. The majority of them will be large-scale productions costing more than 10 billion won.

Director Lee Jae-han's "Into the Gunfire", which is to open in June, is about a 12-hour battle that was held between 71 student soldiers and the North Korean Army at the end of the Nakdong River battle during the Korean war. Actors kwon Sang-woo and T.O.P. (Choi Seung-hyeon) of the music group Big Bang will play student soldiers. Actor Cha Weung-won will appear as a North Korean commander, while actor Kim Seung-woo will play a South Korean commander. It is a blockbuster production that will cost 15 billion won to produce and market.

Director Lim Yeo-bin, who produced "Terrorist" in 1995, will this time produce "The Red Muffler 2", which will be a sequel to late Shin Sang-ok's movie "The Red Muffler". The grandson from the original production will appear as an Air Force pilot. The production cost have reached 8 billion won, and the movie is scheduled to open in October on National Army Day.

The second Yeonpyeong Clash of 2002 will be reenacted in the 3D film "We Are Beautiful" (tent...More

46th Annual Daejong Film Awards Nominees

- Best Movie: "Take Off", "Mother - 2009", "The Divine Weapon", "Sky and Sea", "Haeundae"

- Best Director : Kim Yong-hwa ("Take Off"), Yoon Je-kyoon ("Haeundae"), Jeon Yoon-soo ("Portrait of a Beauty"), Jeong Gi-hoon ("Ae-ja"), Bong Joon-ho ("Mother - 2009")

- Best Actor : Kim Myeong-min ("Closer to Heaven"), Kim Yoon-seok (Running Turtle), Seol Kyeong-gu ("Haeundae"), Jeong Jae-yeong ("The Divine Weapon"), Ha Jeong-woo ("Take Off")

- Best Actress : Kim Min-seon ("Portrait of a Beauty"), Kim Hye-ja ("Mother - 2009"), Soo-ae ("Sunny"), Jang Nara ("Sky and Sea"), Choi Kang-hee ("Ae-ja")

- Best Supporting Actor : Kim In-kwon ("Haeundae"), Jin Goo ("Mother - 2009"), Jeong Kyeong-ho ("Sunny"), Jang Geun-seok ("The Case of Itaewon Homicide"), Kim Nam-gil ("Modern Boy")

- Best Supporting Actress : Kim Bo-yeon ("...More

'These budding directors shot their first films when Korean cinema was at its peak, so it's no wonder they now feel pressure'. -PIFF programmer

The "sophomore slump" refers to when a second effort fails to meet the standards or expectations of the first. It affects bands, performers and artists of all types - and movie directors are no exception.

Six emerging Korean directors discussed the pressure and the anxiety they felt while making their second films, as well as the challenges of dealing with the changing landscape of filmmaking in Korea at "Open Talk No. 2" during the Pusan International Film Festival, which closed its nine-day run last Friday.

The six directors - Park Chan-ok, Lee Song-hee-il, Lee Seong-han, Lee Hae-joon, Kim Tae-sik and Kim Dong-won-I - first gained recognition for their debut features at previous Pusan film festivals, and returned to this year's event with their second works.

"I feel like I keep growing through filmmaking, even though growing up is something one can look forward to and be afraid of at the same time", said Lee Song-hee-il, who is well-known for his films, which deal mostly with homosexuality.

The director returned to PIFF this year with "Break Away", which had its world premiere there and tells the story of runaway soldiers. His first feature, "No Regret", a gay romance, premiered at PIFF three years ago.

"I feel like a little child who is just about to learn how to walk", Lee said. "In the beginning, people always cheer for you, but once people t...More