Kang Hyeong-cheol (강형철)

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  Korean film in 2012
  2012/02/01, Source,
  The Korean film industry has a lot to offer for the year of 2012. Korean films have been gathering more attention around the world and in the domestic market, as Korean films gain attention and Korean actors and producers take part in more international collaborations. According to the Ministry of Culture, Sports and Tourism, the market share for Korean films was 51.9%, up from 46.5 in 2010 and marking the first time in modern history that Korean moviegoing audiences showed a marked preference for domestic movies. As well, film exports increased by 14% in 2011,...More

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  KoreanFilm.org's Top Korean films of 2011 by Darcy Paquet
  2012/01/14, Source,
  Each year I assemble my top 10 list out of the Korean films that have been released in theaters over the previous 12 months. The small independent films that I catch at the Busan or Jeonju film festivals may not be released by December, but they generally do get a small commercial release within a year or two, so I can include them in a later list.This year, however, I came across a great film that may end up not getting a commercial release, so I squeezed it in where #10 would normally go. I was racking my brain over that #10 slot anyway,...More

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  South Korean Box Office in 2011
  2012/01/14, Source,
  Korean cinema expert Darcy Paquet looks back at the results of 2011's box office with some unexpected hits and misses, the rise of independent features, and how audiences confirmed they value story over spectacle. Although the number crunchers in Hollywood estimate that US theatrical admissions sank to their lowest level since 1995, things were not so gloomy in Korea. With an estimated 160 million tickets sold (more precise figures will become available at a later date), it appears that Korea has approached or broken the modern-day record for admissions. In 2010, total admissions stopped at 146.8 million. In monetary terms, 2011 was certainly the best year ever, given the 3D surcharge and rising average ticket prices. Americans may be growing tired of the theatrical movie-going experience, but young Koreans still crowd the multiplexes,...More

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  Korean Cinema 2011: The View from Here
  2012/01/14, Source,
  US-based author and curator of film at the Smithsonian's Freer and Sackler Galleries in Washington, DC, Tom VICK shares his views on recent trends he has noticed programming their Korean film festival. How do you introduce new Korean films to an American audience? Since 2004, when I began programming the Korean Film Festival DC, the answer to this question has become more difficult to answer. This is not to say that it's harder to find good films. Quite the opposite. The problem (if it can be called a problem) is that there are so many films to choose from.The explosion of digital production and distribution in the last decade or so has made it easier than ever to make a film, but harder than ever find an audience for it,...More