A Tale of Two Sisters (Movie - 2003)

• Im Soo-jeong (임수정) Soo-mi (수미)

• Yeom Jeong-ah (염정아) Eun-joo (은주)

• Kim Kap-soo (김갑수) Moo-hyeon (무현)

• Moon Geun-yeong (문근영) Soo-yeon (수연)

• Park Mi-hyeon (박미현) Birth mother (친엄마)

• Woo Gi-hong (우기홍) Seon-gyoo (선규)

• Lee Seung-bi (이승비) Mi-hee (미희)

• Lee Dae-yeon (이대연) Doctor (의사)

• No Seung-jin-I (노승진) Chief Hwang (황원장)

• Song In-hyeok (송인혁) Mr. Jang (장씨)

• Lee Yeong-sil (이영실) Mrs. (아줌마)

• Won Ae-ri (원애리) Jang-roong ghost/Nurse 1 (장룽귀신, 간호사 1)

• Kim Seong-yeong (김성영) Nurse 2 (간호사 2)

• Kim Song-i (김송이) Young Soo-mi (어린 수미)

• Kim Tae-ok (김태옥) Female high school student (여고생)

• Park Seo-in (박서인) Young Soo-in (어린 수인)

• Park Eun-mi (박은미) Soo-in, birth mother stunt double (수인, 친엄마 스턴트)

• Choo Hyeon-kyeong (추현경) Soo-in, birth mother stunt double (수인, 친엄마 스턴트)

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  2012/03/10,
  If you had asked me five years ago about Korean cinema I would not have been able to name a single film, let alone any actors,  directors, or anything close to the mark. Korean cinema in all its richness and fluidity was unknown to me and its riveting array of melodramas, thrillers, and comedies were well clear of my cinematic radar. Then, in 2007, I had my first taste of it when I came to Seoul on a brief two-week trip. In a dark and crowded apartment, I took up the chance to watch an unknown Korean horror titled "Red Eye", and that marked my first step towards becoming a true Korean cinephile,...More

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  2012/02/16, Source,
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  Bittersweet Life: Korean cinema's secret popularity in the UK
  2011/12/07, Source,
  International distribution expert and analyst and former Screen International journalist Robert Mitchell looks at the gulf between artistic and business successes of Korean cinema in the UK. Ask any cine-literate film-goer, critic, blogger or tweeter in the UK about Korean cinema and you'll be greeted with an enthusiastic response. They will talk of the Hallyu period of the past decade, a wealth of some of the most creative and interesting film-making in the world. They will speak with passion about Park Chan-wook, Kim Ki-duk and Bong Joon-ho. International festivals like Cannes play a major role in building this awareness. "The route to the international market is through festivals", says Danny PERKINS, CEO of StudioCanal UK, which released Bong's "The Host" and Kim's "3-Iron" amongst other Korean titles. "If a director's film features in one of the bigger festivals it can put them and their work permanently on the map",...More