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Black House (2007) - 검은 집 (Geom-eun Jib)

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Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
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Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
Black House (검은 집 - 2007)
E-card - Black House (검은 집 - 2007) Slideshow - Black House (검은 집 - 2007)
1 ~ 1213 ~ 2425 ~ 36
 

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 Produced by
 Yoo Il-han (유일한)
Production
CJ Entertainment (CJ Entertainment)
Distribution
CJ Entertainment (CJ Entertainment)
International sales
CJ Entertainment (CJ Entertainment)
Staff
 Yûsuke Kishi (키시 유스케)
 Original work
 Nam Na-yeong (남나영)
 Editor
 Yong-ih (용이)
 Trailer
Technics
104 min 35mm Cinemascope (2.35)
Web site
www.psychopath.co.kr... ( Korean )
Videos
Trailer
Trailer
On the set video
Festival(s) & award(s)
Sales or release dates & Box Office
Release date in South Korea : 2007/06/21
South Korea Box Office
Source : www.cine21.com & www.kobis.or.kr
As of 2007.07.22 : 1,316,173 admissions (total)
As of 2007.07.15 : 1,293,076 admissions (total)
As of 2007.07.08 : 1,175,052 admissions (total)
As of 2007.07.01 : 909,172 admissions (total)
As of 2007.06.24 : 474,997 admissions (total)
Synopsis

Jun-oh, formerly a bank employee, gets a call on his first day at work from a woman seeking advice. She asks if insurance is paid out on suicides, and only after hanging up does he see the warning on the insurance agreement. A few days Jun-oh receives a request for a meeting with an unknown policy holder. From the living room of a decrepit house Jun-oh opens the door to the bedroom to see a seven-year-old hanging from the ceiling. Police start an investigation, but the autopsy and all the evidence points to suicide. But Jun-oh can’t shake his suspicions that the incident was actually a murder. Believing that insurance, which should protect lives, cannot be seen to promote murder, he withholds payment. There is evidence of other serial murders, and a secret lying inside company records in storage. Where is the truth? And what is the true nature of the Black House?

Source http://www.koreanfilm.or.kr
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Japanese Kadokawa announced the release dates of SIN Tae-ra's horror film "Black House" (Geomeun Jib) and KIM Ji-hoon's "May 18" (Hwaryohan Hyooga), the films will open on Japanese screens on April 5 and May 10, respectively.

"Black House", a domestic box office hit, stars HWANG Jeong-min ("You Are My Sunshine"/Neoneun Nae Woonmyeong) in an impressive psychological charged role as an insurance agent who gets drawn in a suicide case in a mysterious house. Director SIN's ("Brainwave") film is based on a Japanese novel of the popular horror writer Yûsuke Kishi.

After his "Mokpo, Gangster's Paradise", director KM Ji-hoon's next film "May 18" was highly anticipated and the film about the Gwangju civilian uprising against the military dictatorship was a box office success of 2007. The film's strong line-up includes AHN Seong-gi ("Silmido") and LEE Joon-ki ("The King and the Clown"). LEE enjoys great popularity in Japan and starred in the Korean-Japanese co-production "Virgin Snow" (C...
By Lee Hyo-won
Staff Reporter

Hallyu princess Jeon Ji-hyeon (also known as Gianna Jeon, "My Sassy Girl", 2001) and Korea's favorite leading man Hwang Jeong-min ("Happiness", 2007) may seem like an odd pair, but they have one thing in common: superstar power.

The two join forces in "A Man Who Was Superman", a story about an unlikely "hero" (Hwang), who goes out of his way to help ― or rescue ― the planet by helping senior citizens cross the street and hand-standing in the middle of the road "to push away" the detrimental effects of the sun. Jeon plays the role of Song Su-jeong, a cynical documentary filmmaker who records his story.

A press conference Monday at a Seoul theater buzzed with reporters trying to catch the two stars in the latest work by Jeong Yoon-cheol, the director who had the entire nation crying with his tearjerker "Marathon" (2005).

The director and actors arrived a little late for the event, and Hwang explained that it was because the emergenc...
Armadas of middle-aged Japanese women no longer chase Bae Yong-joon, the biggest star the Korean wave of the early millennium produced; instead, more and more Korean fans are now dying for a glimpse of their favorite Japanese stars. In Korea, some of the so-called J-drama maniacs watch Japanese soaps all night long, and the growing popularity of Japanese novels here already outstrips any enthusiasm for Korean writing.

Obviously pleased with the reversal of fortunes, a Japanese movie magazine hailed the Japanese boom in Korea, saying, "While the Korean wave is on the wane, the Japanese wave is waxing". Many critics agree that while Korean Wave is receding, Japanese culture has been slowly assimilated into the mainstream of Korean culture and has firmly taken root there. So what are the strengths differentiating the Japanese Wave? The Chosun Ilbo asked experts for their views.

◆ Stars

Korea only opened its door to Japanese movies and drama on Jan. 2004, and ever since, the...
By Lee Hyo-won
Staff Reporter

Unlike what its title might suggest, director Jeong Gil-yeong's "Our Town" is not some fuzzy family drama. It's a crime thriller where five women are brutally killed. Not another serial killer story, you may say. But, again, the film kills your expectations as it takes you on a novel cinematic experience ― a flight into the mind of not one, but two, killers on the loose in what could be "our" neighborhood.

First off, the title needs some explanation. It is a literal translation of the original title "Uri dongne". A Los Angeles Times column (July 24, 2006) once highlighted how the Korean language thoroughly reflects the collective nature of Koreans, who prefer the unassuming "we" over the individual "I", and thus leads to the stapling of group pronouns "our" (uri) rather than "my" in front of objects. So saying "our house" or "our town" creates a communal sense of ownership and establishes a sense of mutual connection.

That's the irony. Thi...
The Asian Film Market was again bustling in its second year although buyers tended to window-shop and take notes for later. A number of Korean films were picked up mainly for TV/DVD rights. Korean sales agent Cineclick Asia sealed a number of deals, selling all rights to KIM Ki-duk's "Breath" to Saudi Arabia-based Ghassan Production and Distribution for the Middle Eastern territories.

The company also picked up DVD/TV rights to KIM's "The Bow" and "3-Iron", along with "Family Ties" ("The Birth of a Family"), "Red Shoes", "Fighter in the Wind", "Love Me Not", "Seducing Mr. Perfect", and KIM Ji-woon's "A Tale of Two Sisters" from Cineclick. More TV rights went to Japan's Nettai Museum for horror films "The Red Shoes" and "Acacia" along with "The Wolf Returns" and "Mission Sex Control". Meanwhile Hungary's Cinetel bought TV/VOD/Video rights to KIM Ki-duk's "Samaria", "Red Shoes", and "A Tale of Two Sisers".

In a major deal, CJ Entertainment sold a four-feature package to buyer Sple...
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Cant wait to see this summer batch of horror movies from Korea !!!
2007-08-23 01:41:27
2007-07-11 22:34:17
can't wait to see it :)
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