A small-time crook, Jae-moon goes after the man who killed his mentor a few years earlier. Jae-moon meets Chi-gook, a retired taekwondo practitioner who becomes his partner and goes to the... More
Korean Remake A Better Tomorrow invited to Venice 2010/08/27, Source, "A Better Tomorrow", Korea's remake of John Woo's quintessential gangster drama 'A Better Tomorow' has been invited for a special out-of-competition screening at the 2010 Venice Film Festival. Directe,...More
Won Bin has cast off his pretty boy image to show off his knack for high kicks and dagger-swinging skirmishes in,...More
[INTERVIEW] Actor Seol Kyeong-gu (Part 3) 2010/01/11, Source,
Actor Seol Kyeong-gu [Beck Una/10Asia]
Beck Una (Beck): "Haeundae" is actually on weird coordinates in terms of your filmography. In comparison to your past films which had a single main character, "Haeundae" was a film which didn't necessarily need you to be part of. On top of that, director Yoon JK is known for creating commercial films. So I've been curious to know how you got to work on this film. Seol: I was once asked which director I work best with. To that I answered, "None of them". I make things work. "Haeundae" seemed like a movie calling for trouble. Like it would become a massive hit or flop horribly. Director Yoon may seem smart and clever on the outside but he seemed innocent in my eyes. I didn't see any murkiness in his eyes. And I am great with directors. Ryoo Seung-beom was surprised at me while shooting "No Mercy". He said I listen to well to the director. But what would I do? I'm not the director. The actor should listen. Of course, it gets annoying when my actions become limited. It's tough when the director limits my actions within the camera's angle. As long as I'm not trapped inside an angle, I can listen to what the director wants.
Beck: I felt from interviews that you were a hard time especially while shooting "Voice of Murderer" -- that you were feeling lonely. Seol: I was having a hard time personally. And it peaked during the times I shot "Cruel Winter Blues" and "Venus and Mars". To an extent I felt bad for my manager. I'm usually not the type that lets my personal life interfere with my work. But I felt that I failed to cut off my emotions in front of the camera during those days. Couldn't hide it in the expression -- it would all show. I feel very bad for director Han Ji-seung and actress Kim Tae-hee. I really was at my worst during "Venus and Mars"! The phrase I used often back then was that I had hit rock bottom. But I feel much more at ease after hitting rock bottom. The phrase I use most often nowadays is to 'go with the flow'. In a way, I might be even more bold than I used to be. (laugh),...More
A small-time crook, Jae-moon goes after the man who killed his mentor a few years earlier. Jae-moon meets Chi-gook, a retired taekwondo practitioner who becomes his partner and goes to the killer Dae-sik’s hometown. Chi-gook and Jae-moon devise a plan to kill Dae-sik, but as the day of reckoning approaches, Jae-moon meets Dae-sik’s mother, Jeom-sim, who reminds him of his hometown. As he sees Jeon-sim worrying over her son, he can’t proceed to kill him. However, the encounter of Dae-sik and Jae-moon takes places on the village’s field day.
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