Dachimawa Lee (Movie - 2008)

• 
  Im Won-hee
  임원희
  As
  Dajimawa Lee
  (따지마와 리)
• 
  Kong Hyo-jin
  공효진
  As
  Keum Yeon-ja
  (금연자)
• 
  Park Si-yeon
  박시연
  As
  Ma-ri
  (마리)
• 
  Hwang Bo-ra
  황보라
  As
  Weird girl
  (이상한 소녀)
• 
  Kim Byeong-ok
  김병옥
  As
  Mr. Wang
  (왕서방)
• 
  Kim Su-hyeon
  김수현
  As
  Dama Ne-gi
  (다마네기)

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• 

  [Weekender] Restoring classics
  2012/03/15, Source,
  A strip of 35-millimeter celluloid film, which has mostly been replaced by digital cinema / Korea Times file Early works return to life at Korean Film Archive By Lee  Hyo-won Moviegoers today are accustomed to glossy, high-definition images that indiscriminately reveal slight skin blemishes of actors known for flawless complexions. Bass-heavy, surround-sound audio has also become the norm. The cinematic experience is more than about whether the plotline is appealing. The technical aspects of the audiovisuals often determine the overall aesthetics, of how one perceives the content. Sometimes the film itself is deliberately produced to capture the nostalgia of the past. Michel Hazanavicius' "The Artist" (2011) pays direct homage to early 20th-century silent movies while Quentin Tarantino's signature visual style displays an adoration of old, dust-streaked images. In 2008, Ryoo Seung-wan experimented with old-fashioned dubbing for his retro action flick "Dachimawa Lee",...More

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  An alien in a bikini heralds the return of the B movie
  2011/08/04, Source,
  A poster of the Korean B movie "Invasion of Alien Bikini" The landscape of the nation's film industry is starkly polarized, with either star-studded commercial films or low-budget independent films dominating the field. Looking back on the first half of the year, Korean films like "Late Blossom", "Detective K" and "Sunny" have become huge hits with rising and seasoned actors. But indie films are also making their mark. A string of independent films including "Re-encounter", "Bleak Night", "The Journals of Musan" and "Play" have drawn audiences of more than 10,000 each, a figure most indie filmmakers dream about,...More

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  'Quick' offers fast, forgetful entertainment
  2011/07/12, Source,
  Left, Kim In-kwon, center, in a scene from "Quick". Right, Lee Min-ki and Kang Ye-won run for their lives in the film. / Courtesy of CJ E&M Pictures By Lee  Hyo-won Let's begin with the end. The anticipated summer blockbuster "Quick" had Korean viewers, who can be usually seen impatiently darting toward exits before the end, glued to their seats until well after the credits stopped rolling. It wasn't so much that it was a particularly mind-blowing experience. Certainly some 70 secondhand cars and 30 motorcycles were sacrificed for a string of blast scenes, but it was because filmmakers decided to show how much pain the stuntmen and women had to endure for the project,...More

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  [INTERVIEW] Director Ryoo Seung-wan - Part 1
  2010/11/18, Source,
  Director Ryoo Seung-wan [Chae Ki-won/10Asia] It has already been ten years since director Ryoo Seung-wan, whom we thought would always be the 'action kid', showed up in the film industry with "Die Bad". And while having shot ten movies during that time, he has been on a break over movies that have flopped, agonized over people not liking his scripts, and is now old enough to look back in embarrassment on childish remarks he made a long time ago. However, his movie "The Unjust" is the result of what he describes as having "lived through and felt". And it presents us with a form of shock that is different to what the audience has felt from his previous films -- a sense of reality so vivid that is weighs down us as very much the Republic of Korea that we live in today. What happened to him? In his interview with 10Asia, Ryoo Seung-wan talks about "what hasn't changed but has changed". * This article may contain spoilers. 10: The response to "The Unjust" had been extremely positive even ahead of its premiere, securing the highest number of advance ticket reservations and seeing many favorable articles on the movie. You must be happy doing this interview. Ryoo Seung-wan: I should be modest but it's true that I'm happy,...More