Late Blossom (Movie - 2010)

• Lee Soon-jae (이순재) Kim Man-seok (김만석)

• Yoon So-jeong (윤소정) Song I-ppoon (송이뿐)

• Song Jae-ho (송재호) Jang Goon-bong (장군봉)

• Kim Soo-mi (김수미) Goon-bong's wife (군봉 처)

• Oh Dal-soo (오달수) Dal-soo (달수)

• Song Ji-hyo (송지효) Kim Yeon-ah (김연아)

• Lee Sang-hoon-I (이상훈) Deok-bae (덕배)

• Kim Bi-bi (김비비) Yeong-ok (영옥)

• Park Nam-hee-I (박남희) Man-seok's wife (만석 처)

• Lee Joon-hyeok-I (이준혁) Photographer (사진기사)

• Kang Hyeon-joong (강현중) Young Sang-tae (젊은 상태)

• Lee Chae-eun (이채은) Young Mrs. Song (젊은 송씨)

• Heo Nam-il (허남일) Man-seok's son (만석 아들)

• Kang Soo-yeong (강수영) Man-seok's daughter-in-law (만석 며느리)

• Kim Nam-joon (김남준) Yeong-ok's husband (영옥 남편)

• Park Kyeong-geun (박경근) Goon-bong's first son (군봉 장남)

• Jo Jae-yoon (조재윤) Gun-bong's secon son (군봉 차남)

• Kil Hae-yeon (길해연) Gun-bong's daughter-in-law 1 (군봉 며느리 1)

• Jeong Eun-kyeong (정은경) Goon-bong's daughter 2 (군봉 며느리 2)

• Seo Sa-moo (서사무엘) Dong office employee 1 (동사무소 직원 1)

• Yoo Hee-seok (유희석) Dong office employee 2 (동사무소 직원 2)

• Jeon Bae-soo (전배수) Dong office employee 4 (동사무소 직원 4)

• Ra Mi-ran (라미란) Nurse (간호사)

• Seo Cheon-seok (서천석) Condoler 1 (문상객 1)

• No Seung-beom (노승범) Condoler 2 (문상객 2)

• Jeon Jin-joo (전진주) Pregnant wife (산모)

• Choi Jong-hak (최종학) Pregnant wife's husband (산모 남편)

• Kwon Beom-taek (권범택) Man-seok's wife's (만석 처)

• Won Ha-yool (원하율) Mrs. Song's young sister/baby (송씨 어린딸 / 신생아)

• Yoo Soon-cheol (유순철) Older Sang-tae (늙은 상태)

• Heo Dol-nam (허돌남) Mrs. Song's mother (송씨 모)

• Heo Tae-min (허태민) Man-seok stunt (만석 스턴트)

• Hong Ji-yeon (홍지연) Mrs. Song's stunt (송씨 스턴트)

• Lee Moon-sik (이문식) Scratch (스크래치) - Cameo

• Lee Moon-soo (이문수) Eok-bae's father (덕배 부) - Cameo

• Kim Hyang-ki (김향기) Garodong kid (가로등 꼬마) - Cameo

You're reading the news with potential spoilers, make them spoiler free, dismiss

• 

  [HanCinema's Film Review] Korean Weekend Box Office 2012.09.21 ~ 2012.09.23
  2012/09/24,
  HanCinema's Korean Box Office Review  (2012.09.21~ 2012.09.23) The local flavors took the honors this past weekend with the top two films being Korean and claiming close to 70% of the ticket sales. With 1,192,689 admissions, Choo Chang-min's "Masquerade" secured another week as number one, jumping past "The Concubine" as the ninth highest grossing Korean film of the year. Choo's historical drama snatched 60.5% of the moviegoers with the new Korean film "Spy", Woo Min-ho's second feature film, slotting into second with 341,697,...More

• 

  Korean Box Office for the Weekend 2012.09.21 ~ 2012.09.23
  2012/09/23, Source,
  The number one movie this week is "Masquerade" (광해, 왕이 된 남자),...More

• 

  KOFFIA 2012 Film Line-up Revealed!
  2012/07/20, Source,
  The 3rd Korean Film Festival in Australia, KOFFIA, is pleased to announce its film line-up for 2012. KOFFIA will showcase 20 of the best and latest Korean feature films as well as a few past classics, in a diverse program that will allow audiences to discover their connection to Korean cinema and culture. Audiences will once again be treated to a feast of Korean festivities taking place at Dendy Opera Quays in Sydney and ACMI Cinemas Federation Square in Melbourne. While for the first time selected titles will also screen at Tribal Theatre in Brisbane, as August and September sees 16 days of screenings across the Australian east coast,...More

• 

  [HanCinema's Interview Corner] Ten Questions for the KOREAN CINEPHILE
  2012/06/30,
  Your website, Modern Korean Cinema, has been up since mid-2010, how did you come to discover Korean cinema and what was it about Korea's film industry that really cemented your passion for it? My first exposure to Korean cinema came long before the inception of MKC and it's kind of a funny story (at least I think it is)! When I was in boarding school in Dublin (high school) we were studying Macbeth and as a nascent cinephile I wanted to seek classic filmed versions of Shakespeare's work, first came Polanski's, then Orson Welles' version but soon I came across Kurosawa's "Throne of Blood" (1957) and fell in love with it. Thus began my discovery of Japanese cinema and one day I was in my local media retail store in Switzerland when I came across a striking DVD in the Asian section. I thought it might have been something like a Takashi Miike film but it turned out to be none other than "Sympathy for Mr. Vengeance" (2002) and... I hated it, it made me furious. But I couldn't stop thinking about it and a week later I forced my self to watch it again and my whole world changed. My next film was Lee Chang-dong's "Peppermint Candy" (2000) and it's safe to say that the quality and social engagement of those works resulted in my becoming deeply attached to Korean cinema,...More