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Real Fiction (2000) - 실제 상황 (Sil-je Sang-hwang)

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Real Fiction (실제 상황 - 2000)
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Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
Real Fiction (실제 상황 - 2000)
E-card - Real Fiction (실제 상황 - 2000) Slideshow - Real Fiction (실제 상황 - 2000)
 

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Staff
 Kyeong Min-ho (경민호)
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 Sin Seung-soo (신승수)
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84 min 35mm Panoramic (1.85)
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Release date in South Korea : 2000/06/24
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New Yorkers will be able to taste a series of artistic Korean movies made by director Kim Ki-duk from Wednesday (Apr. 23).

The Department of Film at New York's Museum of Modern Art, or MoMa, will hold a screening of the works of award-winning moviemaker Kim Ki-duk, 48, who has directed artistic yet controversial films since 1996.

During the exhibition at MoMa's Theater 1, co-organized by the Korean Ministry of Culture and Tourism and the Korean Film Council, and supported by the Korean Film Archive in Seoul, movie lovers will be able to take in a total of 14 movies directed by Kim, which will include several features never before seen in the United States, according to MoMa.

Kim is a self-taught maverick filmmaker whose works have impressed international cinema industry with a focus on symbolism and his strong sense of motifs and intensity.

He was a former factory worker, soldier, seminarian and a street artist in France between 1992 and 1995 where he discovered cinema thro...
By Marinel Cruz

Two Korean movie production outfits choose the busy streets of Manila and beach of Boracay ..

MANILA- Two Korean movie production outfits have chosen the busy streets of Manila, the pristine beaches of Boracay Island in Aklan and the scenic Pagsanjan Falls in Laguna to serve as backdrops for the romantic comedy they are filming here, Department of Tourism secretary Joseph Ace Durano has announced.

The crew of DRM Entertainment Co. Ltd. and Story Factory, producers of the romantic comedy "Feel So Good", has been at work in the country since Jan. 9, Durano told Korean and Filipino entertainment writers in a press conference last week. Shooting wraps up on Feb. 23, he added.


For this particular production, the DOT is helping the Korean group obtain permits and other logistical requirements for the location shoots. It is also tapping local talent for additional assistance, said Durano.

The producers considered getting Angelika Panganiban, Michelle Madrigal ...
To mark the Japanese release of director Kim Ki-duk's 1996 debut film "Crocodile", a special showing under the title of "Continuing Mandala of Ki-duk" will be held in Euro Space in Tokyo on April 28th. It appears that the name Kim Ki-duk has become a brand in and of itself.

The film "Crocodile" will be shown twice a day until May 18th, together with six other works by Kim--"Birdcage Inn", "The Coast Guard", "Address Unknown", "The Isle", "Bad Guy", and "3-Iron".

Separate from this event, Kim's 2006 film "Time" has been playing at a Japanese theater since March 10th under the title of "Love of Absolute".

Another special presentation of director Kim's films titled "Super Ki-duk Mandala" took place between February 24th and March 16th at the same locale. Starting on the 7th of next month, the two most lauded films from "Super Ki-duk Mandala"--"Wild Animals" and "Real Fiction"--will be shown again....
Retrospective of Kim Ki-duk to be held also in Milan, Rome, and Turin
Korea Film Fest
3rd International Festival of Korean Cinematography in Florence

South Korea invades Italy in the third engagement of the Korean Film Fest, an international Korean film festival with a retrospective of the director Kim Ki-duk taking place from April 8th through the 14th at the Stensen Auditorium in Florence (Viale Don Minzoni, 25/c).
Whether it be first screenings or contemporary classics, the one-of-a-kind festival in all of Italy will offer about twenty projections: a cinematographic run that begins at the debut of the director, Kim Ki-Duk. Starting from the first projection in Italy of Crocodile (1996) in which he overturns all the rules regarding cinematographic language, to Wild Animals (1997), his second film which marks the return of the director to the city in which he lived in during his European stay: Paris. Continuing with the first national screenings is Real Fiction, a feature-len...

By Paolo Bertolin

Kim Ki-duk might have not been winning the Golden Lion at the recently concluded Venice Film Festival, but his 11th film "Pinjip (3-Iron)", recipient of the Best Director Award, has certainly swept away the hearts and minds of the crowd and brought him home bags full of praise.

Hailed by many as the moral winner of the festival and selling fast to international distributors (sales company Cineclick Asia struck a U.S. distribution deal with Sony Pictures Classics), "3-Iron" has definitely propelled Kim from the status of cult director to the rank of world-class filmmaker.

Kim's long-lasting love story with foreign critics and cinephiles actually started at the Venice Film Festival back in 2000 when "Som (The Isle)" was his first film to be invited to compete in a major international festival.

Many still recall how some sensitive viewers swooned or had to leave screenings before the end of his now classic gut-wrenching story of love and death pierced by ...
 

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