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Muoi: Legend Of A Portrait (DVD) (Special Edition) (Korea Version) DVD Region 3

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Muoi: Legend Of A Portrait (DVD) (Special Edition) (Korea Version)

YesAsia Editorial Description

Directed by Kim Tae Kyeong (The Ghost), Korean-Vietnamese co-production Muoi: The Legend of the Portrait, perhaps the most ambitious of this summer's horror offerings, revolves around the century-old legend of a mysterious portrait. Partially shot in Vietnam, the film is beautifully lensed with striking costumes and sets, creating a horrifying, yet enchanting atmosphere. Muoi: The Legend of Portrait stars rising actress Jo An, who returns to horror for the first time since 2003's Wishing Stairs.

In 1896, during the French colonial period in Vietnam, a portrait of a woman was discovered in the village of Da Lat. Villagers were both mesmerized and disturbed by the great beauty of the portrait, and whispers of a curse began when calamity befell those connected to the portrait. Over a century later, Korean novelist Yoon Hee (Jo An) stumbles upon the legend of Muoi's portrait. At her estranged friend's urging, she travels to Vietnam to reconnect with her friend (Cha Ye Ryeon) and find inspiration for her next work. Yoon Hee is extremely interested in writing about Muoi's portrait, but fascination turns to fright when the portrait's terrifying secret is awakened.

This edition comes with the following special features:

  • Audio Commentary
  • Making Of
  • Interview
  • Legend of Muoi Documentary
  • CG Featurette
  • Press Screening and Premiere Gala
  • Poster Shoot
  • Music Video
  • Photo Gallery
  • Theatrical Trailer
  • © 2007-2008 YesAsia.com Ltd. All rights reserved. This original content has been created by or licensed to YesAsia.com, and cannot be copied or republished in any medium without the express written permission of YesAsia.com.

    Technical Information

    Product Title: Muoi: Legend Of A Portrait (DVD) (Special Edition) (Korea Version) Muoi: Legend Of A Portrait (DVD) (特別版) (韓國版) Muoi: Legend Of A Portrait (DVD) (特别版) (韩国版) ムイ (特別版) (韓国版) 므이 (Special Edition)
    Artist Name(s): Kim Tae Kyeong | Jo An | Cha Ye Ryun Kim Tae Kyeong | Jo An | Cha Ye Ryun Kim Tae Kyeong | Jo An | Cha Ye Ryun Kim Tae Kyeong | チョ・アン | チャ・イェリョン 김태경 | 조안 | 차예련
     Manage My Personalized Product Alerts 
    Release Date: 2007-09-20
    Language: Korean
    Subtitles: Korean, English
    Country of Origin: South Korea
    Picture Format: NTSC What is it?
    Disc Format(s): DVD
    Region Code: 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it?
    Publisher: Taewon Entertainment, Korea
    Other Information: 1 DVD
    Package Weight: 150 (g)
    Shipment Unit: 1 What is it?
    YesAsia Catalog No.: 1005007491

    Product Information

    * Screen Format : Anamorphic Widescreen
    * Sound Mix : Dolby 5.1
    * Extras :
    - 김태경감독,조안,차예련 음성해설
    - <므이> 봉인이 풀리다. (메이킹)
    - <므이>를 말하다 (인터뷰)
    - <므이>의 전설 (실제 전설에 대하여... 다큐형식)
    - <므이> 깨어날 준비를 하다. (CG, 귀신동작연습)
    - 100년만의 부활 (므이 폐인의밤+기자 시사회)
    - 저주의 초상화 (포스터)
    - 뮤직비디오
    - 윤희의 카메라 (포토갤러리)
    - 예고편

    * Director : 김태경

    그녀를 본 자, 반드시 죽는다! 당신을 매혹시킬 가장 섬뜩한 공포가 온다!
    실존하는 저주의 초상화..저주를 빌면 반드시 이뤄진다..
    그러나 무엇을 대가로 지불하겠는가?

    베트남 올로케이션의 신비한 영상과 아름다운 여주인공
    그리고 슬프도록 무서운 공포의 전설...

    Only DVD!
    실제 전설에 대한 이야기를 담은 다큐, CG와 메이킹 영상, 므이 부활의 밤(시사회현장) …and more!

    베트남으로의 낯선 초대,
    달랏, 다낭, 호이안, 호치민 베트남 전역,
    그녀의 핏빛 저주가 물들어 있다!

    베트남의 전설의 초상화 ‘므이’의 실체를 담기 위해 제작진은 4개월 여 동안 베트남 전역을 돌아다녀야 했다. 1896년 초상화가 처음 발견된 달랏은 실제로 혼령이 존재하는 귀신의 도시로 불렸다. 달랏 초입의 ‘귀신의 집’은 수년 동안, 이사 오는 가족마다 알 수 없는 이유로 몰살당하는 수난을 겪은 집이다. 이 지역에서 초상화가 발견된 것은 100여 년 전이다. 윤희와 서연이 초상화의 저주를 찾아 처음 이곳에 도착한 것은 당연한 운명일 수 밖에 없다. 휴양지 다낭과 역사적 유적지 호이안은 전쟁의 피 바람이 감돌던 그 시절 미군사령부가 들어서 있었다. 월남전에 참여한 한국 사람들은 주로 이곳으로 배치를 받았었고 한국과 베트남의 가장 큰 공감대가 형성된 지역이라 할 수 있다. 초상화의 저주를 처음 조사한 김교수를 찾아 윤희와 서연이 이곳으로 온 것은 베트남이라는 낯선 공간의 공포를 한국적인 공포로 느낄 수 있게 하는 중요한 설정이다. 특히 호이안의 외곽지대에 세워진 100년 전 ‘므이의 집’은 기묘한 수로를 배경으로 하여 이국적인 공포를 극대화 시켰다. 그리고, 마지막 저주의 징후들이 나타나는 서연의 집이 있는 호치민은 아직도 사이공으로 불리며 전쟁의 뼈 아픈 향수 속에서 과거의 정취를 그대로 느끼게 한다. 영화 속 서연의 분위기를 닮은 호치민에 위치한 집은 아픔을 간직한 서연의 외로운 모습을 담기에 최적의 장소이다. 이처럼 낯설지만 익숙한 베트남 전역에 걸친 ‘므이’의 흔적들은 현지 언론뿐만 아니라 베트남 영화시장에까지 큰 화제가 되었다.

    실존하는 저주의 초상화,
    저주를 빌면 반드시 이루어진다,
    그러나, 무엇을 대가로 지불하겠는가?

    1896년 베트남 달랏에서 발견된 저주의 초상화. 그곳에는 원한이 서린 ‘므이’의 영혼이 봉인되어 있었다. 100년 전 그림에 봉인 되었던 영혼은 어떤 사연을 품고 잠들었던 것일까? 영화는 이 전설과 저주의 실체인 ‘므이’에게 어떤 일이 벌어졌고 그로 인한 결과가 어떤 것인지를 찾는 데서 출발했다. 베트남에는 보름달이 뜨는 밤, 목을 매달고 죽은 사람의 영혼은 이승을 떠돌며 복수를 할 수 있다는 전설이 있다. 100년 전 자신을 질투하는 홍에게 끔찍한 일을 당한 므이는 보름밤 죽음을 택해 복수를 꿈꾸게 된다. 그러나, 오히려 그로 인해 사랑하는 이한테까지 버림을 당한 므이는 결국 그 남자에 의해 그림에 봉인을 당하게 된다. 사랑하는 이로부터 버림받으며 봉인된 그녀는 자신에게 장핀을 꽃은 누엔을 용서할 수 없다. 그래서 다시 부활해야 한다.
    “누군가에게 복수를 하고 싶다면 ‘므이’에게 복수를 구하라! 그러면, ‘므이’가 복수를 해 줄 것이다” 이 말은 베트남에 떠도는 전설의 문구이다. 그런데 복수를 대신 해주는 ‘므이’는 어떤 대가를 지불 받는다. 그 대가를 통해 ‘므이’는 100년 동안 잠들어 있었던 자신의 처절한 원한과 저주를 풀 것이다. ‘므이’의 저주는 그렇게 100년 만에 윤희와 서연을 통해 부활하게 되는 것이다. 현재까지도 구전으로 전해 내려오고 있는 ‘므이’의 초상화, 그리고 그 그림이 갖는 ‘비밀’과 ‘저주의 전설’은, 영화 <므이>만이 가지고 있는 독특한 소재로 신선한 공포를 선사할 것이다.

    - 매혹적인 초상화의 유혹,
    - 그녀에게 저주를 비는 자,
    - 죽음에서 벗어 날 수 없다.

    새로운 소재를 찾지 못해 편집장으로부터 독촉에 시달리고 있던 소설가 윤희는 베트남으로 이민간 서연으로부터 흥미로운 이야기를 전해 듣는다. 그녀가 얘기한 저주의 초상화 므이는 윤희를 매료시켰고 그녀는 므이와 서연이 있는 베트남으로 향한다. 베트남에 도착한 윤희는 몰라보게 달라진 화려한 서연의 모습에 낯선 기분을 느낀다. 그럴수록 윤희는 ‘므이’의 비밀에 관한 자료 수집에 집착을 보인다. 그러나 초상화의 비밀이 하나 둘씩 파헤쳐 칠수록 저주의 징후가 서서히 윤의화 서연에게 나타나기 시작한다. 이국적인 풍경이 아름답게만 느껴졌던 베트남은 점점 끔찍한 곳으로 변한다. 윤희와 서연을 다시 만나게 한 ‘므이’의 비밀은 끔찍한 공포로 다가오고 있었고 이를 알지 못한 이들은 최후의 진실과 만나게 된다.
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    YumCha! Asian Entertainment Reviews and Features

    Professional Review of "Muoi: Legend Of A Portrait (DVD) (Special Edition) (Korea Version)"

    October 29, 2007

    Muoi: Legend of a Portrait is the latest of the 2007 batch of Korean summer horror films to make it to DVD. As any fan will sadly admit, the genre has of late become rather stale, with directors all too often content to simply recycle the same old tales of vengeance seeking female spectres, and as such it is somewhat of a relief that Kim Tae Kyeong, best known for his 2004 hit The Ghost, has at least attempted to try something a little different. This is mainly through the fact that the film is a joint Korean-Vietnamese production, with the hook of being shot mainly in Vietnam, potentially offering up the opportunity for exotic locales and shocks. Interestingly, although having performed well enough in the domestic Korean market, the film has run into some trouble in Vietnam, where the tough censors tend not to look too kindly on productions with supernatural themes.

    Viewers will be forgiven if the plot sounds depressingly familiar, following novelist Yoon Hee (actress Jo An, recently in the comedy Operation Makeover and who previously featured in the genre hit Wishing Stairs), who travels to Vietnam to investigate the local legend of a cursed portrait. While there, she tries to patch things up with her old friend Seo Yeon (Cha Ye Ryeon, also in the horror Voice), who previously left Korea under a cloud of scandal, and about whom she wrote a rather unflattering book. The picture in question is that of Muoi, an unfortunate young woman who paid the price for falling in love with the wrong man back in 1896, during the French colonial period in Vietnam, and which is now said to house her revenge hungry ghost, causing misery and death for anyone who gazes upon it (in other words, Ringu with a painting instead of a video). This of course, does not deter Yoon Hee in the least, and sure enough the silly girl is soon knee deep in threatening visions and sinister secrets, pushing her to solve the not particularly challenging enigma of Muoi and confront her own chequered past before the evil hex claims her life.

    As with The Ghost, Kim here attempts to weave a complex web of mystery, again with a character-based approach, though he has thankfully improved upon this previous effort, which though entertaining was a rather muddled affair. Wisely, he chooses to focus upon the relationship between Yoon Hee and Seo Yeon rather than on the tired supernatural puzzle, which leads to an interesting, surprisingly harrowing series of revelations. As such, the film does at times feel more like grim melodrama than horror, though the elements of the two genres are blended together well enough to keep the viewer engrossed. Where it does differ is in that although Yoon Hee is the central protagonist, she is not a particularly likeable character, and it is far easier to sympathise with Seo Yeon and indeed with poor Muoi, whose story unfolds in parallel through a series of well-staged flashbacks. Although this does put the viewer in the potentially odd position of identifying with the supposedly villainous ghost instead of her likely victim (a better title would perhaps have been Muoi: Portrait of a Ghost), it makes the otherwise predictable film a far more interesting journey, and one of the rare occasions when familiarity doesn't breed contempt.

    The film's real strength is its high production values, and it certainly looks great, boasting some of the strongest visuals seen in a genre effort for some time. Kim makes great use of the Vietnamese setting, packing in plenty of local colour in a subtle manner and without ever making things feel too much like a travelogue. A lot of effort was obviously put into the period set flashbacks, in particular in terms of the costumes, and this too pays off, giving the film's back story and curse a convincing origin. All of this really helps in generating a creepy atmosphere, and the film enjoys a suitably other-worldly feel which helps to distract from some of its unfortunate inconsistencies (such as the facts that Muoi's house is quite obvious and accessible and that pretty much everyone Yoon Hee talks to seems to know all about the legend, leading to the question as to why she couldn't simply find out everything she needed to know on the internet) and lapses into cliche.

    Wisely, Kim in general seems to be aiming for slow-burn chills rather than sudden frights, and the film doesn't feature too many real scares, aside from a few odd visions. However, although these are pretty much cheap shots, quite obviously thrown in to keep the viewer awake, they are creative and spooky enough to pass muster, mainly due to some special effects which are far more impressive than those of other similar efforts.

    Of course, it could be argued that with its glossy visuals the film is merely papering over the cracks, and to an extent this is true, as Kim never really tries to break the mould or add much to the usual formula beyond the unusual setting. Still, this doesn't detract from its entertainment value, and Muoi: Legend of a Portrait is definitely one of the summer's better and classier horror offerings, and shallow though it may sound, it is nice to see what must have been a considerable sum of money being spent on a genre production, the results of which certainly show on screen.

    by James Mudge - BeyondHollywood.com

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    Customer Review of "Muoi: Legend Of A Portrait (DVD) (Special Edition) (Korea Version)"

    Average Customer Rating for this Edition: Customer Review Rated Bad 8 - 8 out of 10 (2)

    Daniel Vandeberg
    See all my reviews


    October 6, 2007

    Interesting and terrifying! Customer Review Rated Bad 8 - 8 out of 10
    The film was interesting because I've lived in Korea and visited Viet Nam. The use of shade, colour, and musical background all contribute to the moodiness of the film. There's enough action to keep the film moving right along, and the smooth transition from scene to scene helps to hold your attention. Until the ending actually happens you'll never guess in a million years what it will be. And there's enough real scariness to call this a true horror film rather than a psycho-drama. My only disappointment is the English subtitles--inaccurately done by a person with no knowledge of English grammar, vocabulary, or conversation. Otherwise, "Muoi" is definitely a must for your Korean film collexion!
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    Best Review
    numinair
    See all my reviews


    October 1, 2007

    1 people found the following helpful

    A Cursed Canvas Customer Review Rated Bad 8 - 8 out of 10
    When I purchased the OSTs of both "Muoi" and "Evil Twin" recently at Yesasia, the first thing that struck me arriving to together like this, was looking at both CD covers and considering the imagery only, it wouldn't be unusual to think that this movie was the Evil Twin (as Jo An and Ye Ryun look similar on the cover) and that the "Evil Twin", with a sinister Sadako clone standing by a portrait, was this movie about Muoi's legend portrait. Okay, a bit of useless information, but it came to mind and although these are two quite different films, there are some parallel aspects regarding a cursed portrait. Likewise, anticipating watching "Muoi", I'm coincidently immersed in a ghostly computer game, regarding a writer who adopts a Victorian mansion to pen a second novel, only to locate an age old curse within the house, and likewise in "Muoi - Legend of the Portrait" here, Jo An plays a writer, Yoon Hee, who travels to Vietnam to research her new novel about an age old 100 year curse of a woman named Muoi, who had died under tragic circumstances. In some ways this film could also be more the nastier twin of these portrait films, by the more grimmer bits this has over the milder (although well produced) "Evil Twin".

    As this movie goes, its not all bad, and kept me equally immersed this Friday night gone, and I really enjoyed it all. The story is solid, the fright parts are immediate, the music is intensely thematic and foreboding and with a plot line that doesn't leave you hanging around with dry bits of nonsense, it all flows into a tight none meandering story line, keeping you engrossed throughout the 95 minutes. It doesn't push the horror cliches much either (well, not until the end, anyway) and the period costumes featured are nice in this, (Jo An and Ye Ryun look lovely) with a welcoming addition of the Vietnam backdrop as main setting. Performances are good, specially with the two Korean ghost queens from the "Horror at Girl's School" series of Jo An (Wishing Stairs) and Ye Ryun Cha (Voice), together here to scare the bottoms off us again.

    This is certainly another ringu/grudge type movie, though, (even set in Vietnam) and the film makers have played into this theme than tried to avoid it, but this time its more the ringu curse motif, regarding Muoi's evoked cursed portrait, similar to the video tape of the ringu movie, than the imagery of an haunted vengeful Sadako, back bending her way into terror (eh, again, not until the end). "Muoi" also features a cursed countdown, where similarly five days are counted to the 15th lunar day of the month, a numerical date Muoi died on, and relative to viewing the portrait like it was seeing the video tape in the "Ring". No doubt the influencing ringu/grudge format, but like the Korean horror TV series "Coma", it still comes across as a decent watch, and the motifs (cursed portrait, deadly countdown) are threaded into the film well, for it all to be an enjoyable (and somewhat scary) viewing. Its also only fair to say, that the bunch of ghostly horror movies from S Korea this year, have all been certainly finely crafted productions - ("Epitaph" and "Black Room" getting top slot) - and fullfilling the spooky ambiance, that Korean films do well with, but just a wee short of the sweet spots of excellence found in "A Tale of Two Sisters" and "Phone". But, if you liked "Ryung/Ghost" (director Tae Kyeong Kim's film also), "Cello" and "Scary Hair (aka The Wig)" you should definitely like this one.

    Still, although well performed and paced, it all gets a bit erratic when you reach the 'Lack of a Subtle Ending' conclusion by the nature of Muoi's revenge. In fact, the ending is as subtle as an in your face ghost ride at the fun fair, and I'm sure a number of viewers will roll their eyes skywards, as if they had just heard a rehash of a tired old joke for the umpteenth time. Although the ending is satisfactory and fits into the mold of the ringu frame set, its a pity it had to hammer home its ending as it does, as the premise of "Muoi" is interesting, with a solid story background. The character of Muoi could have been treated with a little more richer fabric on to her persona, instead of making it all credible that a mistreated woman like Muoi would have to have an high octane killer Terminator Sadako machine instinct of revenge (asta la vista, baby!), by the finish - its all the woman scorned seeking vengeance....again.

    As for the Epilogue...I couldn't believe it! I mean, this is me here in the main, as it relates to the actors in the "Magic" series I've seen lately, and I nearly swallowed my late night snack whole, when 'it' happened again. What do I mean? Don't want to give the game away, but for those who have seen "Evil Twin" and with Jin Woo Yang getting his 'ghost treatment' near the finale, fellow "Magic" actor Joon Lee here, also gets similar treatment! Deja vu or what! Is this a case of filmic parallelism or are all of the rest of the cast from "Magic" going to be seen to get this form of 'swept away' treatment in future horror flicks? I mean, Jo Won Uhm (also in Magic) is to cameo in "Epitaph" on DVD soon, and is she...no, surely not! Magic moments these ghost films. But "Muoi", yes, its good and certainly worth adding to your collection.
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