[HanCinema's News] South Korean Dramas Show Strong Presence on Netflix in Japan
By William Schwartz | Published on
A continued strong presence of South Korean dramas on Netflix in Japan has helped to spur talk of a new Korean Wave in the country. Figures released by Netflix on August 10th showed that "Crash Landing on You" was the number two drama for that day, with "Itaewon Class" in number five. Previous figures have also shown that "Crash Landing on You" was the number one drama for the month of July.
But these two are hardly the only dramas to have enjoyed sustained popularity in Japan, with "The King: Eternal Monarch" and "It's Okay to Not Be Okay" also showing frequent appearances on the list. And those are just the dramas from this year, with older dramas such as "Pretty Sister Who Buys Me Food" also making intermittent appearances on the strength of lead actors who have also appeared in more recent dramas.
While much of the growth can be attributed to COVID-19 forcing people into more home intensive hobbies, the strong performance of South Korean dramas compared to those of other countries internationally remains noteworthy. Part of what makes the shift new is how South Korean dramas as a whole have been redefined. The current crop of dramas has noticeable distinctions compared to previous iterations of the Korean Wave cycle.
The original Korean wave was dominated by romantic melodramas. In more recent years South Korean media was best-known for an obsession with revenge stories. But lately, high-concept romanticism has been the main recurring theme. Take "Crash Landing on You", which in addition to being a literal romance also holds out hope of rapprochement between North and South Korea. The success of this current trend makes more dramas in a similar vein likely in the near future.
Written by William Schwartz
Staff writer. Has been writing articles for HanCinema since 2012, having lived in South Korea since 2011. Started out in Gyeongju, then to Daegu, then to Ansan, then to Yeongju, then to Seoul, lived on the road for HanCinema's travel diaries series in the summer of 2016, and is currently settled in Anyang. Has good tips for utilizing South Korea's public bus system. William Schwartz can be contacted via firstname.lastname@example.org. He also has a substack at williamschwartz.substack.com where he discusses the South Korean film industry in broader terms and takes suggestions for future movies to review.