The investigation has stalled here, mostly as a result of mutual disinterest. Ha-ra already has enough high-level crooks that there's not really much impetus to go chasing after any more right this minute. Meanwhile, Tae-woong has been so spooked by recent reversals he's decided to hold back. Well, not really. It turns out that Tae-woong has been running a pretty long con on Jeong-pil, which somewhat awkwardly puts the more publicly powerful man in the position of technical victim...More
The ending to "Laughter in Waikiki" goes a lot better than I was expecting mainly because recent episodes have surged in quality. The immature, obnoxious Dong-goo who was always picking fights with Joon is gone. The more restrained Dong-goo we have now isn't just funnier, he's also a lot more introspective. Sure, he's a bit of a jerk to Yoon-ah's ex-boyfriend (played by Kim Jin-woo), but then by his own admission, Yoon-ah's ex-boyfriend deserved it...More
For these episodes, if I just de-emphasize the content of the dialog, ignore the scenes at the candy company, and instead just focus on the ambience, there's that same beautifully bittersweet tone which characterized the first half of the drama's run. When the increasingly artificial conflict between Moo-han and Soon-jin is de-emphasized, we can see these two as lonely, older people who are filled with regrets. They fix that feeling by trying to act without regrets for whatever time they have left...More
So the night stalker storyline appears to have been resolved almost entirely by accident. I can't decide whether this is a good thing or a bad thing. On one end this plot was undeveloped from the very beginning, so I'm glad it's out of the way. But on the other end, the remaining storylines aren't that much better. Eventually the issue with the murderous magic tea is explained...in the preview. I can't figure out why this basic worldbuilding has been held back for so long...More
So right away we get an extended flashback wherein Oh Soo as a child learns about the terrible power of the magic tea. But because these scenes are taken from the vantage point of a child, the explanation for why the magic tea is so dangerous is completely dumbed down and censored. Consequently, Oh Soo's journey to find a cure is bereft of context. We can't even guess at loopholes because so far as the script is concerned this tea just kills people, end quote...More
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